Pradeep, a police officer based in Benoni, South Africa, grew weary of his monotonous routine. In search of thrill, he devised a bold scheme to rob a bank.
He booked an early flight from Johannesburg to Durban, rented a car upon landing, and made his way to a nearby bank. Before leaving his vehicle, he put on a wig and a fake beard. Once inside the bank, he pointed his gun at the teller, insisting she fill his bag with cash. After successfully obtaining the money, he quickly left and caught the next flight back to Johannesburg.
The robbery went off seamlessly, leaving Pradeep buzzing with excitement. This thrill ignited a series of plans for more bank robberies, one after another, until he was frequently flying to Durban on his days off to execute yet another daring theft. He even started hitting up local banks in Johannesburg during his lunch breaks. With his ingenious disguises, he could pull off the crime and then seamlessly return to the area, leaving witnesses completely unaware that he was the very person they were describing.
Pradeep had honed his skills in bank robbery to perfection; he was intimately familiar with the intricacies of bank security systems, allowing him to dodge capture time after time. Over the course of four thrilling years, he successfully executed heists at around 30 different banks, with each adventure delivering an adrenaline-fuelled thrill.
One fateful evening, the atmosphere shifted dramatically. At a vibrant party, he indulged a bit too much in the drinks and struck up a conversation with his buddy Larry. Fuelled by a surge of confidence, he started bragging to Larry about his latest bank heists, insisting he was a master in the art of robbery.
Larry worked for SAMBO, a branch of the South African Police Service focused on combating organised crime, economic offences, and corruption. Bound by his oath and the responsibilities of his role, he realised he could not stay silent about the secret and chose to bring it to the attention of his superiors.
Upon Pradeep's return from Durban, having just pulled off another bank heist, the police were poised and ready at the baggage claim. He was taken into custody and sentenced to 18 years in prison. However, Pradeep wasn't about to give up; he began devising his escape plan even as the judge delivered his verdict.
While he was incarcerated, he crossed paths with a man named Mpande, and shortly thereafter, he met another fellow inmate named Fanie. Both were serving sentences for robbery, and before long, the trio developed a solid friendship that would see them through their time behind bars.
After nearly three years of incarceration, the trio concocted a bold escape strategy. They initiated their plan by having Pradeep and Mpande feign injuries, successfully persuading the prison guards to escort them to an external physiotherapist for care. Upon arrival, they seized the moment, overpowering the guards and taking their firearms. Armed with the guards' weapons, they commandeered the physiotherapist's vehicle and made a thrilling escape. Following their flight, they opted to lay low for some time.
Several months went by, and they launched a daring assault on the prison where Fanie was held captive, guns blazing, and managed to break him out. Now that the trio was back together and on the run, they had to find a place to lay low.
Pradeep was filled with restlessness, craving the thrill of robbing banks once more. He, along with his two accomplices, set off on a daring escapade, starting with one bank and swiftly moving to the next, then a third. Their spree continued as they hit bank after bank, all while sporting ridiculous disguises: giant sunglasses, bushy moustaches, and fake beards. They may have looked comical, but their synergy was impressive, allowing them to complete a heist in under five minutes. On some occasions, they even managed to rob several banks in a single day without being apprehended.
As their exploits gained notoriety, news of the bank robbers spread like wildfire through the community. Surprisingly, many locals began to rally behind them, captivated by how they outsmarted the police. Pradeep, Mpande, and Fanie found themselves in the spotlight as unlikely heroes, affectionately dubbed "The Invisibles" by their growing legion of fans. The frenzy surrounding them was palpable, and their faces were splashed across every news platform, igniting discussions far and wide. They untimately became South Africa's most wanted.
Over a span of several months, the crime spree showed no signs of slowing down. The gang found shelter in various safe houses, seized every chance to rob banks, amassed a significant amount of cash, and filled their leisure time with a parade of escorts.
Pradeep had a disturbing tendency to target unsuspecting young women, posing as a professional photographer. He lured them to his hotel room with the allure of a photoshoot, only to take advantage of them in a shocking way. One brave victim mustered the strength to report his heinous behaviour to the authorities.
With the threat of being captured hanging over them, the three quickly formulated an ingenious escape strategy to leave the country. They decided to obtain a yacht, aiming to make their getaway by sea. They believed this maritime route offered a greater sense of safety.
Using a fraudulent passport, Pradeep headed to Australia to finalise the discussions surrounding the yacht sale. Meanwhile, back in South Africa, law enforcement was closing in on one of the gang's secret locations. It appeared that some of the gang's escorts had tipped off the authorities. At approximately 4:00 am, the police surrounded the location, with Mpande being the sole occupant of the hideout. Police ordered the gang to come out with their hands raised. In a surreal moment, Mpande, still dripping from his shower and entirely naked, reached for his weapon and found himself in a frantic butt-naked shootout with law enforcement. The police burst into the house, and gunfire erupted around him as he dashed from one room to another, firing back at his pursuers. When they finally cornered him, he made a tragic choice, turning the gun on himself and ending it all.
In the meantime, Fanie received a tip-off that the police were closing in on them. He quickly made his escape, using a counterfeit passport to catch a flight to Greece. By the time the police conducted their raid on the gang's safe houses, he had already vanished. However, in one of those locations, they discovered photographs of a woman whom Pradeep had assaulted several months earlier. This evidence not only corroborated her account of being exploited by him but also linked the safe house directly to Pradeep.
The safe house provided crucial information that directed the police to the yacht they had purchased. From there, they traced a crew member hired to navigate it, who revealed that Pradeep was meant to transport the yacht to Australia. This development led law enforcement to conclude that Pradeep might be in Australia. Local newspapers caught wind of the story and began featuring Pradeep's photo, causing residents in Melbourne to be on the lookout for him.
One fateful morning, everything began to unravel for Pradeep. He was browsing a used car dealership, eager to find a new car, worried that his old one might give him away. The salesman, having seen Pradeep's face in the local newspaper, kept quiet at first but later decided to alert the authorities.
That night, the police made their way to Pradeep's apartment, forcefully entering the premises. But to their dismay, Pradeep was nowhere to be found. But just when it seemed like they were at a dead end, one of the officers spotted him whizzing by on a bicycle. There was no doubt about it; he recognised him instantly. The police officer dashed over to confront him. Realising what was happening, Pradeep jumped off his bike and made a run for it.
The police officer pursued him relentlessly until he finally caught up. Pradeep, who had been feigning surrender, suddenly lunged for the officer's shotgun. In a split second, the officer reacted by drawing his secondary weapon and fired four shots into Pradeep's chest, resulting in his immediate death.
Fanie, the sole remaining member of the trio, ended up in Brazil, where he tried to pull off another heist. Unfortunately, his plan failed spectacularly, resulting in his arrest and a life sentence without the possibility of parole.
"Now that I knew fear, I also knew it was not permanent. As powerful as it was, its grip on me would loosen. It would pass."
We are the miracles that God made
To taste the bitter fruit of Time.
We are precious.
And one day our suffering
Will turn into the wonders of the earth.
There are things that burn me now
Which turn golden when I am happy.
Do you see the mystery of our pain?
That we bear poverty
And are able to sing and dream sweet things
And that we never curse the air when it is warm
Or the fruit when it tastes so good
Or the lights that bounce gently on the waters?
We bless things even in our pain.
We bless them in silence.
That is why our music is so sweet.
It makes the air remember.
There are secret miracles at work
That only Time will bring forth.
I too have heard the dead singing.
And they tell me that
This life is good
They tell me to live it gently
With fire, and always with hope.
There is wonder here
And there is surprise
In everything the unseen moves.
The ocean is full of songs.
The sky is not an enemy.
Destiny is our friend.
A masterpiece from a giant of African literature. Things Fall Apart recreates African tribal life before Christianity and shows how the coming of the white man led to the breaking up of the old ways.
From a small city-state in the early 1600s, the Kingdom of Dahomey grew to be a significant force in West Africa two centuries later. The expansionist plans and dualism where every male role has a female counterpart of its rulers were well-known. This led to the growth of women as royal guards, elephant hunters, and, ultimately, warrioresses, who had a significant impact on society. Up to the end of the nineteenth century, Dahomey's kings relied on the agoji, a group of fierce and fearless warrioresses, to protect their country. French invasion in the area was resisted by King Bhanzin and his elite agoji soldiers, but they were eventually defeated by the superior weaponry of the adversary. Despite Dahomey's conversion to a French colony, the women defenders' legacy lives on in the country's history.
There are eight traditional African tales in this anthology. These enduring tales of bravery, wisdom, wit, and heroic deeds are adorned with exquisite hand-sewn collage artwork embellished with African beads.
Chameleon Aura combines personal anecdotes with insightful advice in a collection of poems centered around the common emotions of love and grief.
Al J. Venter has seen the worst crimes committed by humanity in the previous 55 years, from fleeing gunfire in war-torn nations to living in a little hamlet in Natal. Having covered more than 25 wars, he is the oldest active war correspondent. In his memoir, he skillfully narrates the tales of the battles he covered, the behind-the-scenes anecdotes, and the journey across Africa that altered his life.
A collection of twelve stories.
Private Experience: During a violent riot, a medical student finds shelter with a destitute Muslim woman, whose strong sense of dignity and faith compels her to confront the harsh realities and fears she has been avoiding.
The Thing Around Your Neck: We see a Nigerian girl experiencing intense loneliness after moving to America, a place that doesn't live up to her expectations. While love seems to offer some solace, a loss in her homeland forces her to reconsider her aspirations.
Tomorrow Is Too Far: A woman uncovers a tragic secret connected to her brother's death.
Imitation: A young mother is upset when she finds out her husband in Lagos has moved his girlfriend into their home, threatening her comfortable life.
Chimamanda Ngozi Adichie's storytelling prowess shines through in this collection, which is both searing and profound, brimming with beauty, sorrow, and longing.
Amplifying phenomenal women from across the African continent and its global diaspora as they speak to empowering, experimental, and inspirational experiences of sex, sexuality, and relationships.
"Ubuntu is very difficult to render into a Western language. It speaks of the very essence of being human. When we want to give high praise to someone we say, "Yu, u nobuntu"; "Hey, so-and-so has ubuntu." Then you are generous, you are hospitable, you are friendly and caring and compassionate. You share what you have. It is to say, "My humanity is caught up, is inextricably bound up, in yours." We belong in a bundle of life. We say, "A person is a person through other persons." It is not, "I think therefore I am." It says rather: "I am human because I belong. I participate, I share." A person with ubuntu is open and available to others, affirming of others, does not feel threatened that others are able and good, for he or she has a proper self-assurance that comes from knowing that he or she belongs in a greater whole and is diminished when others are humiliated or diminished, when others are tortured or oppressed, or treated as if they were less than who they are."
Discover how to find and keep love by understanding adult attachment science in this practical relationship book.
Virago presents an updated collection of Maya Angelou's works of poetry, collected together for the first time. From her reflections on African American life and hardship in Just Give Me a Cool Drink of Water 'fore I Diiie to her revolutionary celebrations of womanhood in Phenomenal Woman and Still I Rise, and her elegant tributes to dignitaries Bill Clinton and Nelson Mandela (On the Pulse of Morning and His Day Is Done, respectively), every inspiring word of Maya Angelou's poetry is included in the pages of this volume.
"If sharks were men," Mr. K. was asked by his landlady's little girl, "would they be nicer to the little fishes?"
"Certainly," he said. "If sharks were men, they would build enormous boxes in the ocean for the little fish, with all kinds of food inside, both vegetable and animal. They would take care that the boxes always had fresh water, and in general they would make all kinds of sanitary arrangements. If, for example, a little fish were to injure a fin, it would immediately be bandaged so that it would not die and be lost to the sharks before its time. So that the little fish would not become melancholy, there would be big water festivals from time to time because cheerful fish taste better than melancholy ones.
"There would, of course, also be schools in the big boxes. In these schools, the little fish would learn how to swim into the sharks' jaws. They would need to know geography, for example, so that they could find the big sharks, who lie idly around somewhere. The principal subject would, of course, be the moral education of the little fish. They would be taught that it would be the best and most beautiful thing in the world if a little fish sacrificed itself cheerfully and that they all had to believe the sharks, especially when the latter said they were providing for a beautiful future. The little fish would be taught that this future is assured only if they learnt obedience. The little fish had to beware of all base, materialist, egotistical, and Marxist inclinations, and if one of their number betrayed such inclinations, they had to report it to the sharks immediately.
"If sharks were men, they would, of course, also wage wars against one another in order to conquer other fish boxes and other little fish. The wars would be waged by their own little fish. They would teach their little fish that there was an enormous difference between themselves and the little fish belonging to the other sharks. Little fish, they would announce, are well known to be mute, but they are silent in quite different languages and hence find it impossible to understand one another. Each little fish that, in a war, killed a couple of other little fish, enemy ones, silent in their own language, would have a little order made of seaweed pinned to it and be awarded the title of hero.
"If sharks were men, there would, of course, also be art. There would be beautiful pictures in which the sharks' teeth would be portrayed in magnificent colours and their jaws as pure pleasure gardens, in which one could romp about splendidly. The theatres at the bottom of the sea would show heroic little fish swimming enthusiastically into the jaws of sharks, and the music would be so beautiful that to the accompaniment of its sounds, the orchestra leading the way, the little fish would stream dreamily into the sharks' jaws, lulled by the most agreeable thoughts.
"There would also be a religion if sharks were men. It would preach that little fish only really begin to live properly in the sharks' stomachs.
"Furthermore, if sharks were men, there would be an end to all little fish being equal, as is the case now. Some would be given important offices and be placed above the others. Those who were a little bigger would even be allowed to eat up the smaller ones. That would be altogether agreeable for the sharks, since they themselves would more often get bigger bites to eat. And the bigger little fish, occupying their posts, would ensure order among the little fish, become teachers, officers, engineers in box construction, etc.
"In short, if sharks were men, they would for the first time bring culture to the ocean."
What is Africa to me:
Copper sun or scarlet sea,
Jungle star or jungle track,
Strong bronzed men, or regal black
Women from whose loins I sprang
When the birds of Eden sang?
One three centuries removed
From the scenes his fathers loved,
Spicy grove, cinnamon tree,
What is Africa to me?
So I lie, who all day long
Want no sound except the song
Sung by wild barbaric birds
Goading massive jungle herds,
Juggernauts of flesh that pass
Trampling tall defiant grass
Where young forest lovers lie,
Plighting troth beneath the sky.
So I lie, who always hear,
Though I cram against my ear
Both my thumbs, and keep them there,
Great drums throbbing through the air.
So I lie, whose fount of pride,
Dear distress, and joy allied,
Is my somber flesh and skin,
With the dark blood dammed within
Like great pulsing tides of wine
That, I fear, must burst the fine
Channels of the chafing net
Where they surge and foam and fret.
Africa?A book one thumbs
Listlessly, till slumber comes.
Unremembered are her bats
Circling through the night, her cats
Crouching in the river reeds,
Stalking gentle flesh that feeds
By the river brink; no more
Does the bugle-throated roar
Cry that monarch claws have leapt
From the scabbards where they slept.
Silver snakes that once a year
Doff the lovely coats you wear,
Seek no covert in your fear
Lest a mortal eye should see;
What's your nakedness to me?
Here no leprous flowers rear
Fierce corollas in the air;
Here no bodies sleek and wet,
Dripping mingled rain and sweat,
Tread the savage measures of
Jungle boys and girls in love.
What is last year's snow to me,
Last year's anything? The tree
Budding yearly must forget
How its past arose or setญญ
Bough and blossom, flower, fruit,
Even what shy bird with mute
Wonder at her travail there,
Meekly labored in its hair.
One three centuries removed
From the scenes his fathers loved,
Spicy grove, cinnamon tree,
What is Africa to me?
So I lie, who find no peace
Night or day, no slight release
From the unremittent beat
Made by cruel padded feet
Walking through my body's street.
Up and down they go, and back,
Treading out a jungle track.
So I lie, who never quite
Safely sleep from rain at night--
I can never rest at all
When the rain begins to fall;
Like a soul gone mad with pain
I must match its weird refrain;
Ever must I twist and squirm,
Writhing like a baited worm,
While its primal measures drip
Through my body, crying, "Strip!
Doff this new exuberance.
Come and dance the Lover's Dance!"
In an old remembered way
Rain works on me night and day.
Quaint, outlandish heathen gods
Black men fashion out of rods,
Clay, and brittle bits of stone,
In a likeness like their own,
My conversion came high-priced;
I belong to Jesus Christ,
Preacher of humility;
Heathen gods are naught to me.
Father, Son, and Holy Ghost,
So I make an idle boast;
Jesus of the twice-turned cheek,
Lamb of God, although I speak
With my mouth thus, in my heart
Do I play a double part.
Ever at Thy glowing altar
Must my heart grow sick and falter,
Wishing He I served were black,
Thinking then it would not lack
Precedent of pain to guide it,
Let who would or might deride it;
Surely then this flesh would know
Yours had borne a kindred woe.
Lord, I fashion dark gods, too,
Daring even to give You
Dark despairing features where,
Crowned with dark rebellious hair,
Patience wavers just so much as
Mortal grief compels, while touches
Quick and hot, of anger, rise
To smitten cheek and weary eyes.
Lord, forgive me if my need
Sometimes shapes a human creed.
All day long and all night through,
One thing only must I do:
Quench my pride and cool my blood,
Lest I perish in the flood.
Lest a hidden ember set
Timber that I thought was wet
Burning like the dryest flax,
Melting like the merest wax,
Lest the grave restore its dead.
Not yet has my heart or head
In the least way realized
They and I are civilized.
One of the last (if not the last) of Africa's
tallest trees has fallen
Yes, Kofi Anan breathes no more
Death has stolen one of the last true sons of the soil
Death has stolen one of the last of Africa's favorite sons
Africa is weeping!
Africa is mourning!
Africa is weeping!
Africa is mourning!
One who was an embodiment of integrity is no more
Africa is mourning!
One who was Africa's pride and joy breathes no more
Africa is inconsolable!
One who was a compass of morality is late
Africa is weeping!
Oh Africa! Was Kofi your last born?
Is any of your favorite sons still alive?
Corruption is rampant
Integrity is not in any of our leaders vocabulary
Moral decay stinks up to the heavens
God and His angels must be closing their noses.
You join your fellow brothers
You join other favorite sons of Africa
You join Jomo Kenyatta
You join Patrice Lumumba
You join Julius Nyerere
You join Steve Biko
You join Nelson Mandela
One of Africa's tallest trees has fallen
Kofi Anan breathes no more.
No end of story has been told, several legends have been born; tiny runnels have wiped out into the Nile; massive water courses had gorged the Indian and the Atlantic.
Africa is the native land of all mankind species, our cherished fatherland is the continent of Africa; you are always welcome to Africa.
Jewels are found in the stain atop, pure beauty is found in our hearts; giving hope with full-blown vision.
For many people of the world, Africa is time and again seen through a spare monocle, purified curtain abodes of indigence, deprivation, illness, dearth, and blues.
Yes, we have our threat, it's true, but we are a people of physiques, resilience and faith; African elevation comes alive as a cloud nine.
Africa is a continent of countries, clans, of peoples; each with its olden days, its voice, its rainbows; its bounty of rituals, the diversity of its arts; and the charm of its civilization.
Africa is a nook of titanic conceivable of chow that is appetizing, fervent and sweet; Africa is not a spot of shadows, but a distance of light of a nightmare and opportunity; Africa is not a hole of pity, but a place of influence and self-respect.
We are the offshoot of a proud continent, Africa is where the sun steps up and bents with a scorching effulgence; making it a place where every day is a sunny season.
We are the miracles that God made
To taste the bitter fruit of Time.
We are precious.
And one day our suffering
Will turn into the wonders of the earth.
There are things that burn me now
Which turn golden when I am happy.
Do you see the mystery of our pain?
That we bear poverty
And are able to sing and dream sweet things
And that we never curse the air when it is warm
Or the fruit when it tastes so good
Or the lights that bounce gently on the waters?
We bless things even in our pain.
We bless them in silence.
That is why our music is so sweet.
It makes the air remember.
There are secret miracles at work
That only Time will bring forth.
I too have heard the dead singing.
And they tell me that
This life is good
They tell me to live it gently
With fire, and always with hope.
There is wonder here
And there is surprise
In everything the unseen moves.
The ocean is full of songs.
The sky is not an enemy.
Destiny is our friend.
Pot of love,
Dot with life!
Spot of peace,
Hot like the sun;
Love Brewed In The African Pot!
My identity,
My continent,
My Country,
My land,
Love Brewed In The African Pot!
Mama Africa,
Africa! Africa!
My identity,
The Colour of my Skin,
The muse of life,
The muse of my mind,
Africa! Africa!
Cultures and Traditions,
My continent,
My Country,
My land,
My identity,
Love Brewed In The African Pot!
Mama Africa,
The continent of my birth,
With the muse of my mind to the world so sweet!
Poetry,
Way of life;
Presenting my works to the world,
From Africa!
Being an African,
Born and raised in Ghana,
My identity,
My life,
Love and art!
Love and life,
Peace and joy!
Mama Africa,
Africa! Africa!
Mama Africa,
Love Brewed In The African Pot!
With the fragrance of life and the romance of nature;
The beauty of creation,
The Harmony of life,
Mama Africa,
The Symphony of the truth!
With righteous morals;
Africa! Africa!
Mama Africa,
The colours of life,
With the aroma of creation;
Love Brewed In The African Pot!
Millions queued in lines before Arbiter Of Disputes.
Hopes were high,
Duty and resolve holding firm.
Hearts dance with spirit of Emancipation,
Each with ammo stronger than bullet,
Ready to dislodge a fiendish cabal out of Power.
All conscious of the long night of tribulation.
Singly, the weapons were discharged
Into The Receptacle Of Liberty;
Upon which they received baptisms of Freedom.
Inside the altar tugs of war ensued:
Invisible fibres bound and aligned aspirations.
Popular Will prevailed.
Bearing the scars of Apartheid,
Indigenous people celebrate the birth of Democracy.
Ballot Box had come at a great expense;
At all costs its sacredness shall be preserved.
Those were the surviving heroes and heroines of Mzansi.
A wind is ruffling the tawny pelt
Of Africa, Kikuyu, quick as flies,
Batten upon the bloodstreams of the veldt.
Corpses are scattered through a paradise.
Only the worm, colonel of carrion, cries:
'Waste no compassion on these separate dead!'
Statistics justify and scholars seize
The salients of colonial policy.
What is that to the white child hacked in bed?
To savages, expendable as Jews?
Threshed out by beaters, the long rushes break
In a white dust of ibises whose cries
Have wheeled since civilizations dawn
From the parched river or beast-teeming plain.
The violence of beast on beast is read
As natural law, but upright man
Seeks his divinity by inflicting pain.
Delirious as these worried beasts, his wars
Dance to the tightened carcass of a drum,
While he calls courage still that native dread
Of the white peace contracted by the dead.
Again brutish necessity wipes its hands
Upon the napkin of a dirty cause, again
A waste of our compassion, as with Spain,
The gorilla wrestles with the superman.
I who am poisoned with the blood of both,
Where shall I turn, divided to the vein?
I who have cursed
The drunken officer of British rule, how choose
Between this Africa and the English tongue I love?
Betray them both, or give back what they give?
How can I face such slaughter and be cool?
How can I turn from Africa and live?
With promise of job,
he lured her into a cane field.
His gentleness a veil of sanity.
Lurking in his mind,
a perversion of sex instinct:
'Bind her! Torture her! Kill her! '
Deep within comfort zone
suddenly brandishing his bludgeon,
countenance wearing mercilessness -
sight of which imported terror into her spine.
Desperate plea for mercy fueling his excitement.
Menacingly, her clothes he demanded.
Hissing in agony like pine tree,
gnashing her teeth before the incubus, she stripped.
Her nudity assaulting his senses,
eyes flaming with lust,
he took stock of the bared flesh:
'Beautiful! Submissive! Horrified! '
Bound and gagged,
fantasy translating into reality,
all hell broke loose...
Urge gratified,
with her undergarment around her neck,
he sealed her fate.
Sixteenth victim of the unhinged mind:
Single mother of two horrendously maimed.
Not quite long,
no sooner had he got home
than long arm of the law tapped his shoulders:
DNA found on victims had matched his.
Karma forced to be lenient,
he lives albeit in confinement.
No Death Penalty In Mzansi.
The sun sought thy dim bed and brought forth light,
The sciences were sucklings at thy breast;
When all the world was young in pregnant night
Thy slaves toiled at thy monumental best.
Thou ancient treasure-land, thou modern prize,
New peoples marvel at thy pyramids!
The years roll on, thy sphinx of riddle eyes
Watches the mad world with immobile lids.
The Hebrews humbled them at Pharaoh's name.
Cradle of Power! Yet all things were in vain!
Honor and Glory, Arrogance and Fame!
They went. The darkness swallowed thee again.
Thou art the harlot, now thy time is done,
Of all the mighty nations of the sun.
I am sorry
I am sorry that I am seen as inferior
I am sorry that I walk around real loud and oh so proud.
I am sorry that I stand out,
I stand out because I am different
Uxolo bhuti for being myself
For standing up for myself,
For fighting for my rights
Uxolo bhuti for wearing a dress
For wearing something that you might define as revealing
I, as intombi find this dress appealing
Ke maswabi that your imagination ran wild and left you aroused
Your thoughts, your actions
Are you proud
Are you proud that you left my dignity dead and my spirit without a chance to rise
Tshwarelo mama afrika
Your children have no love for each other
Your children are dancing with knives just for clout
Ringing their neighbours necks just for selling bread at half price
Some of your children are crying without a voice
Some of your children are left with scars that are not seen, without choice
Asseblief ma
Ek weet jy is kwaad
I know it hurts to see the gifts that you gave us flow like the fluent Tanganyika and into the rich man's mouth
I know it hurts to see the spirit of Ubuntu replaced by the spirit of Izita
Asseblief ma, retshwarele
I know it hurts that you're beginning to rifts apart like modern day families disconnecting
You're ripping apart from small Djibouti, down to vibrant Maputo
We all see that
We live in a patriarchal society where we find ourselves apologizing for being female,
And where smashing makes you alpha male
We all smell
The gunpowder over all the Chlorofluorocarbon emissions
We all smell the iron in the blood of the victims
Mothers and Fathers
Sisters and Brothers
We miss their presence as we see them disappear
We miss the safety of our hometowns
We need not a teaser nor a knife to feel safe
All we cry for is change
Nothing more
Nothing less
Just change
Since 2012, new land laws have been put in place in Kenya, but why is there still more land grabbing happening? Why haven't the laws been able to fix the unfair land distribution issues that have been around for a long time? This book says that fairness should be a big part of any talks about changing land ownership in Africa.
Ayobami Adebayo, the Women's Prize shortlisted author of Stay With Me, presents an astonishing tale of contemporary Nigeria and two families entangled in the currents of affluence, authority, amorous fixation, and political malfeasance.
Within a larger scope, the author explores South Africa's history starting from the mid-17th century, examining themes such as slavery, colonial rule, the mineral revolution, industrial capitalism, and apartheid.
First published in Kenya in 2014: Kintu is a modern classic, a multilayered story that reimagines the history of Uganda through the cursed bloodline of the Kintu clan. Split across six chapters, the book starts in 1750 when Kintu Kidda leaves for the capital to swear loyalty to the newly appointed Buganda Kingdom ruler. He falls victim to a curse along the road that will follow his family for many years.
Makumbi interweaves the stories of Kintu's descendants as they attempt to overcome the weight of their common history and make peace with the legacy of tradition and the contemporary world that will shape their future in an ambitious story of a clan and a nation.
Echeruo has good ear. Regardless of the tale they tell, his stories are filled with heart, wit, and beauty, and his characters are expertly drawn.
I've always measured a good day as one where I can read, write, and run.
"One of the sayings in our country is Ubuntu - the essence of being human. Ubuntu speaks particularly about the fact that you can't exist as a human being in isolation. It speaks about our interconnectedness. You can't be human all by yourself, and when you have this quality - Ubuntu - you are known for your generosity. We think of ourselves far too frequently as just individuals, separated from one another, whereas you are connected and what you do affects the whole world. When you do well, it spreads out; it is for the whole of humanity."
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Keep it Clean, Respectful and Constructive.
Shiba was tamed until he was not. So Shadow varnished into thin air ๐ค
I remember reading "The Republic" from this website but now I can't find it. ๐ข๐ข
In Love is blind, Layla should have left Raymond immediately after the first incident. Or maybe Raymond used muthi ๐
Interesting reads. I enjoy the games as well
Cheating Koutney, she cheated to her demies. Lessons to be learned. If only she remained loyal to her husband.
Rayray is a savage.
I enjoyed Love In The Skies. ... I can relate :(
Mzizi wa Kenya
Is it fear, love or stockholm syndrome