A peaceful Sunday morning turned chaotic for Azizi as he was brought to the emergency room. He was in agony, bleeding, and had huge bite marks on him, mostly on his arms and legs. He claimed it was a Boerboel that attacked him, but the doctors doubted the validity of his story due to the size of the wounds.
Meanwhile, the police received an anonymous tip suggesting that a wild animal might be on the loose in the city after having bitten someone. The tipster provided the police with the address of an apartment in Langa, Cape Town. Upon arrival, the police heard a menacing growl coming from inside through the front door. Eager to investigate, they made their way to the apartment next door, grabbed a drill, and started making tiny holes in the wall to peek inside. To their shock, they were met with the unexpected sight of a 200-kilogram African lion lounging in the Langa apartment. The pressing question was: How on earth did the king of the jungle end up there?
Back to Azizi, a 31-year-old part-time driver for a ride-sharing company who had a strong love for animals. He went to the extent of illegally acquiring an infant Cape baboon and a lion cub from an exotic animal trainer in Cape Town and bringing them to live with him in his government-subsidised apartment in Langa. Azizi already had a ball python named Sly living with him in his apartment, and now he also has a Cape baboon and a lion. What could possibly go wrong?
When Azizi acquired the Cape baboon, it was unwell, leading to a short life span. Sadly, the baboon passed away shortly after, but the lion cub survived. Azizi named the cub Shiba and raised him in his apartment, providing him with his own room, a sandbox to play in, and transitioning him to solid food. Their bond grew strong, making them the best of friends.
After two and a half years had passed, Shiba had outgrown his cub days. He had transformed into a 200-kilograms king of the beasts, yet he still resided in that government-subsidised apartment with Azizi and Sly. Azizi supposedly fed him 8 to 10-kilograms of chicken daily, considering his massive size. Lions sure do have an appetite!
If you thought a man and a giant lion sharing an apartment was a recipe for disaster, you wouldn't be alone. However, against all odds, everything was actually going perfectly well.
It was a regular day until Azizi encountered a stray house cat lingering right outside his doorstep. Driven by his affection for animals, he welcomed the cat into his home, adopted him, and lovingly named him Shadow. To ensure Shadow's comfort, Azizi arranged a special room for him, away from Shiba.
After about three weeks, Azizi and Shiba were playfully wrestling, their usual way of playing together. Suddenly, Shadow emerged from his room, and Shiba, catching a glimpse of him, immediately switched into wild animal mode. He sprang into action, pursuing Shadow relentlessly around the place in an attempt to capture and eliminate him. Azizi quickly reacted by positioning himself between Shiba and Shadow, only to end up being tackled by Shiba. Azizi held onto him tightly to prevent him from going after Shadow, but that's when Shiba latched onto Azizi's neck, then his arm, and finally clamped down on his knee, refusing to release his grip.
Azizi found himself in a precarious situation when his knee ended up in the mouth of an African lion. The tense standoff lasted for two long minutes before Shiba decided to release him. Feeling remorseful, Shiba quickly sought refuge in the bathroom. In great pain, Azizi was forced to dial for paramedics, who quickly transported him to the hospital. It was then that he fabricated a story about a Boerboel attack, worried that they would uncover Shiba and take his lion away.
Back at the neighbour's place, the police officers gazed through the hole they had created in the wall and were startled to find a fully-grown lion lounging inside. "Yoh, yoh, yooh!" the officers exclaimed in disbelief. Now, they needed to brainstorm a strategy to safely remove this 200-kilograms beast without becoming its next meal.
A police officer rappelled down the building with a tranquillizer gun in hand. Upon reaching the apartment window, he glimpsed Shiba inside. Taking aim through the bars, he fired a dart, striking Shiba on the shoulder.
Shiba's reaction was clear: he was not happy with the situation, leading him to get angry and charge at the window, repeatedly slamming against it. Fortunately, Shiba eventually succumbed to the tranquillizer, and the police were able to safely remove both Shiba and Sly from Azizi's apartment before relocating them. As expected, Azizi was taken into custody.
Charged with reckless endangerment and keeping wild animals without the proper permit, he was convicted and handed a fifteen-month prison term after a court hearing.
Sly, the ball python, was rehoused in a snake sanctuary in Cape Town, and Shiba was moved to an animal sanctuary in Paarl, where he had the opportunity to run and play with other big cats, including lions.
Until the age of nineteen years and four months, Shiba lived in that location, a significant lifespan in lion years. Sadly, he eventually passed away from natural causes.
Shadow was never seen again.
"Now that I knew fear, I also knew it was not permanent. As powerful as it was, its grip on me would loosen. It would pass."
Don't let your heart stay broken
Do not stay fixated on what could have been
Focus on all that was deep
Be thankful you smiled
Be thankful you cried
And be thankful you loved and were loved
Because no magician is strong enough to conjure the magic you've created
So don't let your heart stay broke
Don't focus on the darkness
Or things that did not last
Don't look back at your pas
When your future is that bright..
In the fight against neoliberalism, rural movements have gained prominence as crucial social forces. From Brazil and Mexico to Zimbabwe and the Philippines, these movements, with differing political ideologies but a shared foundation of dispossessed peasants and unemployed workers, have utilised tactics like land occupations to stand up against the neoliberal state.
Across three continents - Africa, Latin America, and Asia - this book compiles a set of original investigations on the latest rural social movements.
Vincent Chukwuemeka Ike, one of Nigeria's best writers, is concerned about the state of his country. In this book, he tells about the tragedy of the Biafran War. Fatima is escaping the hostile planes with her young child, and through her unfurling show, the peruser sees what the conflict was truly similar to through Biafran eyes.
A masterpiece from a giant of African literature. Things Fall Apart recreates African tribal life before Christianity and shows how the coming of the white man led to the breaking up of the old ways.
The Land Is Ours describes the journey of South Africa's first black lawyers during the late 1800s and early 1900s. Despite aggressive colonial expansion and land dispossession, these men believed in a constitutional system that respected individual rights and freedoms, and they used the law to fight against injustice.
In seven stories, Haruki Murakami uses his keen observational skills to examine the lives of men who, in various ways, are alone.
Stories about disappearing cats, smoke-filled bars, mysterious women, lonely hearts, baseball, and the Beatles are interwoven here to create a universally relatable tale.
Within a larger scope, the author explores South Africa's history starting from the mid-17th century, examining themes such as slavery, colonial rule, the mineral revolution, industrial capitalism, and apartheid.
Why It's So Hard for White People to Talk About Racism.
With clarity and compassion, Robin DiAngelo allows us to understand racism as a practice not restricted to "bad people." In doing so, she moves our national discussions forward.
With its infusion of rhythm and melody, this novel will transport you from Lesotho's Mountain Kingdom to the City of Gold as it delves into the history of famo. Famo music first emerged in the drinking establishments of migrant mineworkers in Lesotho, where they would unwind after work by singing, often with the accompaniment of an accordion, a drum, and sometimes a bass.
This book has more than two dozen stories of Indigenous resistance to the privatisation and allotment of Indigenous lands.
Land privatisation has been a longstanding issue that has led to Indigenous peoples being removed from their traditional homelands. Allotment Stories explores this conflict by sharing stories of Indigenous communities fighting against land schemes that seek to dispossess them.
Al J. Venter has seen the worst crimes committed by humanity in the previous 55 years, from fleeing gunfire in war-torn nations to living in a little hamlet in Natal. Having covered more than 25 wars, he is the oldest active war correspondent. In his memoir, he skillfully narrates the tales of the battles he covered, the behind-the-scenes anecdotes, and the journey across Africa that altered his life.
"If sharks were men," Mr. K. was asked by his landlady's little girl, "would they be nicer to the little fishes?"
"Certainly," he said. "If sharks were men, they would build enormous boxes in the ocean for the little fish, with all kinds of food inside, both vegetable and animal. They would take care that the boxes always had fresh water, and in general they would make all kinds of sanitary arrangements. If, for example, a little fish were to injure a fin, it would immediately be bandaged so that it would not die and be lost to the sharks before its time. So that the little fish would not become melancholy, there would be big water festivals from time to time because cheerful fish taste better than melancholy ones.
"There would, of course, also be schools in the big boxes. In these schools, the little fish would learn how to swim into the sharks' jaws. They would need to know geography, for example, so that they could find the big sharks, who lie idly around somewhere. The principal subject would, of course, be the moral education of the little fish. They would be taught that it would be the best and most beautiful thing in the world if a little fish sacrificed itself cheerfully and that they all had to believe the sharks, especially when the latter said they were providing for a beautiful future. The little fish would be taught that this future is assured only if they learnt obedience. The little fish had to beware of all base, materialist, egotistical, and Marxist inclinations, and if one of their number betrayed such inclinations, they had to report it to the sharks immediately.
"If sharks were men, they would, of course, also wage wars against one another in order to conquer other fish boxes and other little fish. The wars would be waged by their own little fish. They would teach their little fish that there was an enormous difference between themselves and the little fish belonging to the other sharks. Little fish, they would announce, are well known to be mute, but they are silent in quite different languages and hence find it impossible to understand one another. Each little fish that, in a war, killed a couple of other little fish, enemy ones, silent in their own language, would have a little order made of seaweed pinned to it and be awarded the title of hero.
"If sharks were men, there would, of course, also be art. There would be beautiful pictures in which the sharks' teeth would be portrayed in magnificent colours and their jaws as pure pleasure gardens, in which one could romp about splendidly. The theatres at the bottom of the sea would show heroic little fish swimming enthusiastically into the jaws of sharks, and the music would be so beautiful that to the accompaniment of its sounds, the orchestra leading the way, the little fish would stream dreamily into the sharks' jaws, lulled by the most agreeable thoughts.
"There would also be a religion if sharks were men. It would preach that little fish only really begin to live properly in the sharks' stomachs.
"Furthermore, if sharks were men, there would be an end to all little fish being equal, as is the case now. Some would be given important offices and be placed above the others. Those who were a little bigger would even be allowed to eat up the smaller ones. That would be altogether agreeable for the sharks, since they themselves would more often get bigger bites to eat. And the bigger little fish, occupying their posts, would ensure order among the little fish, become teachers, officers, engineers in box construction, etc.
"In short, if sharks were men, they would for the first time bring culture to the ocean."
One of the last (if not the last) of Africa's
tallest trees has fallen
Yes, Kofi Anan breathes no more
Death has stolen one of the last true sons of the soil
Death has stolen one of the last of Africa's favorite sons
Africa is weeping!
Africa is mourning!
Africa is weeping!
Africa is mourning!
One who was an embodiment of integrity is no more
Africa is mourning!
One who was Africa's pride and joy breathes no more
Africa is inconsolable!
One who was a compass of morality is late
Africa is weeping!
Oh Africa! Was Kofi your last born?
Is any of your favorite sons still alive?
Corruption is rampant
Integrity is not in any of our leaders vocabulary
Moral decay stinks up to the heavens
God and His angels must be closing their noses.
You join your fellow brothers
You join other favorite sons of Africa
You join Jomo Kenyatta
You join Patrice Lumumba
You join Julius Nyerere
You join Steve Biko
You join Nelson Mandela
One of Africa's tallest trees has fallen
Kofi Anan breathes no more.
A wind is ruffling the tawny pelt
Of Africa, Kikuyu, quick as flies,
Batten upon the bloodstreams of the veldt.
Corpses are scattered through a paradise.
Only the worm, colonel of carrion, cries:
'Waste no compassion on these separate dead!'
Statistics justify and scholars seize
The salients of colonial policy.
What is that to the white child hacked in bed?
To savages, expendable as Jews?
Threshed out by beaters, the long rushes break
In a white dust of ibises whose cries
Have wheeled since civilizations dawn
From the parched river or beast-teeming plain.
The violence of beast on beast is read
As natural law, but upright man
Seeks his divinity by inflicting pain.
Delirious as these worried beasts, his wars
Dance to the tightened carcass of a drum,
While he calls courage still that native dread
Of the white peace contracted by the dead.
Again brutish necessity wipes its hands
Upon the napkin of a dirty cause, again
A waste of our compassion, as with Spain,
The gorilla wrestles with the superman.
I who am poisoned with the blood of both,
Where shall I turn, divided to the vein?
I who have cursed
The drunken officer of British rule, how choose
Between this Africa and the English tongue I love?
Betray them both, or give back what they give?
How can I face such slaughter and be cool?
How can I turn from Africa and live?
With promise of job,
he lured her into a cane field.
His gentleness a veil of sanity.
Lurking in his mind,
a perversion of sex instinct:
'Bind her! Torture her! Kill her! '
Deep within comfort zone
suddenly brandishing his bludgeon,
countenance wearing mercilessness -
sight of which imported terror into her spine.
Desperate plea for mercy fueling his excitement.
Menacingly, her clothes he demanded.
Hissing in agony like pine tree,
gnashing her teeth before the incubus, she stripped.
Her nudity assaulting his senses,
eyes flaming with lust,
he took stock of the bared flesh:
'Beautiful! Submissive! Horrified! '
Bound and gagged,
fantasy translating into reality,
all hell broke loose...
Urge gratified,
with her undergarment around her neck,
he sealed her fate.
Sixteenth victim of the unhinged mind:
Single mother of two horrendously maimed.
Not quite long,
no sooner had he got home
than long arm of the law tapped his shoulders:
DNA found on victims had matched his.
Karma forced to be lenient,
he lives albeit in confinement.
No Death Penalty In Mzansi.
I am sorry
I am sorry that I am seen as inferior
I am sorry that I walk around real loud and oh so proud.
I am sorry that I stand out,
I stand out because I am different
Uxolo bhuti for being myself
For standing up for myself,
For fighting for my rights
Uxolo bhuti for wearing a dress
For wearing something that you might define as revealing
I, as intombi find this dress appealing
Ke maswabi that your imagination ran wild and left you aroused
Your thoughts, your actions
Are you proud
Are you proud that you left my dignity dead and my spirit without a chance to rise
Tshwarelo mama afrika
Your children have no love for each other
Your children are dancing with knives just for clout
Ringing their neighbours necks just for selling bread at half price
Some of your children are crying without a voice
Some of your children are left with scars that are not seen, without choice
Asseblief ma
Ek weet jy is kwaad
I know it hurts to see the gifts that you gave us flow like the fluent Tanganyika and into the rich man's mouth
I know it hurts to see the spirit of Ubuntu replaced by the spirit of Izita
Asseblief ma, retshwarele
I know it hurts that you're beginning to rifts apart like modern day families disconnecting
You're ripping apart from small Djibouti, down to vibrant Maputo
We all see that
We live in a patriarchal society where we find ourselves apologizing for being female,
And where smashing makes you alpha male
We all smell
The gunpowder over all the Chlorofluorocarbon emissions
We all smell the iron in the blood of the victims
Mothers and Fathers
Sisters and Brothers
We miss their presence as we see them disappear
We miss the safety of our hometowns
We need not a teaser nor a knife to feel safe
All we cry for is change
Nothing more
Nothing less
Just change
Dance, dance!
With the muse of Africa;
Tap, tap!
With the rhythm of Africa;
Moving your body and,
Moving your steps;
To the sounds and cultures of the various tribes in Africa.
Dance, dance!
To the rhythm of Africa;
Tap, tap!
With the movements of the muse of Africa;
To a continent of nature's muse,
To a continent of multi-languages,
To a continent full of colours!
Fron North, South, East and West;
Come to Africa and see things for yourselves.
Rhythm of Africa,
Rhythm of various customs and cultures,
Rhythm of the various countries in Africa,
Rhythm of the animals,
With the beauty of nature as seen around.
Dance, dance!
Dance with the steps and shake your body;
To the rhythm of Africa touching your heart and soul.
Tap, tap!
With the movements of the muse of Africa;
Rhythm of Africa!
With the muse of various races in Africa;
Expressing their cultures and customs to the muse of the rhythm of Africa.
What is Africa to me:
Copper sun or scarlet sea,
Jungle star or jungle track,
Strong bronzed men, or regal black
Women from whose loins I sprang
When the birds of Eden sang?
One three centuries removed
From the scenes his fathers loved,
Spicy grove, cinnamon tree,
What is Africa to me?
So I lie, who all day long
Want no sound except the song
Sung by wild barbaric birds
Goading massive jungle herds,
Juggernauts of flesh that pass
Trampling tall defiant grass
Where young forest lovers lie,
Plighting troth beneath the sky.
So I lie, who always hear,
Though I cram against my ear
Both my thumbs, and keep them there,
Great drums throbbing through the air.
So I lie, whose fount of pride,
Dear distress, and joy allied,
Is my somber flesh and skin,
With the dark blood dammed within
Like great pulsing tides of wine
That, I fear, must burst the fine
Channels of the chafing net
Where they surge and foam and fret.
Africa?A book one thumbs
Listlessly, till slumber comes.
Unremembered are her bats
Circling through the night, her cats
Crouching in the river reeds,
Stalking gentle flesh that feeds
By the river brink; no more
Does the bugle-throated roar
Cry that monarch claws have leapt
From the scabbards where they slept.
Silver snakes that once a year
Doff the lovely coats you wear,
Seek no covert in your fear
Lest a mortal eye should see;
What's your nakedness to me?
Here no leprous flowers rear
Fierce corollas in the air;
Here no bodies sleek and wet,
Dripping mingled rain and sweat,
Tread the savage measures of
Jungle boys and girls in love.
What is last year's snow to me,
Last year's anything? The tree
Budding yearly must forget
How its past arose or set
Bough and blossom, flower, fruit,
Even what shy bird with mute
Wonder at her travail there,
Meekly labored in its hair.
One three centuries removed
From the scenes his fathers loved,
Spicy grove, cinnamon tree,
What is Africa to me?
So I lie, who find no peace
Night or day, no slight release
From the unremittent beat
Made by cruel padded feet
Walking through my body's street.
Up and down they go, and back,
Treading out a jungle track.
So I lie, who never quite
Safely sleep from rain at night--
I can never rest at all
When the rain begins to fall;
Like a soul gone mad with pain
I must match its weird refrain;
Ever must I twist and squirm,
Writhing like a baited worm,
While its primal measures drip
Through my body, crying, "Strip!
Doff this new exuberance.
Come and dance the Lover's Dance!"
In an old remembered way
Rain works on me night and day.
Quaint, outlandish heathen gods
Black men fashion out of rods,
Clay, and brittle bits of stone,
In a likeness like their own,
My conversion came high-priced;
I belong to Jesus Christ,
Preacher of humility;
Heathen gods are naught to me.
Father, Son, and Holy Ghost,
So I make an idle boast;
Jesus of the twice-turned cheek,
Lamb of God, although I speak
With my mouth thus, in my heart
Do I play a double part.
Ever at Thy glowing altar
Must my heart grow sick and falter,
Wishing He I served were black,
Thinking then it would not lack
Precedent of pain to guide it,
Let who would or might deride it;
Surely then this flesh would know
Yours had borne a kindred woe.
Lord, I fashion dark gods, too,
Daring even to give You
Dark despairing features where,
Crowned with dark rebellious hair,
Patience wavers just so much as
Mortal grief compels, while touches
Quick and hot, of anger, rise
To smitten cheek and weary eyes.
Lord, forgive me if my need
Sometimes shapes a human creed.
All day long and all night through,
One thing only must I do:
Quench my pride and cool my blood,
Lest I perish in the flood.
Lest a hidden ember set
Timber that I thought was wet
Burning like the dryest flax,
Melting like the merest wax,
Lest the grave restore its dead.
Not yet has my heart or head
In the least way realized
They and I are civilized.
Don't let your heart stay broken
Do not stay fixated on what could have been
Focus on all that was deep
Be thankful you smiled
Be thankful you cried
And be thankful you loved and were loved
Because no magician is strong enough to conjure the magic you've created
So don't let your heart stay broke
Don't focus on the darkness
Or things that did not last
Don't look back at your pas
When your future is that bright..
We are the miracles that God made
To taste the bitter fruit of Time.
We are precious.
And one day our suffering
Will turn into the wonders of the earth.
There are things that burn me now
Which turn golden when I am happy.
Do you see the mystery of our pain?
That we bear poverty
And are able to sing and dream sweet things
And that we never curse the air when it is warm
Or the fruit when it tastes so good
Or the lights that bounce gently on the waters?
We bless things even in our pain.
We bless them in silence.
That is why our music is so sweet.
It makes the air remember.
There are secret miracles at work
That only Time will bring forth.
I too have heard the dead singing.
And they tell me that
This life is good
They tell me to live it gently
With fire, and always with hope.
There is wonder here
And there is surprise
In everything the unseen moves.
The ocean is full of songs.
The sky is not an enemy.
Destiny is our friend.
Mama Africa!
Welcome to Africa,
Mamaa! Mamaa!
Mama Africa my Homeland;
She is Mama Africa!
Welcome into the jungle,
Welcome into her jungle,
Welcome into my world so sweet with the muse of my mind!
Mama Africa's Identity,
My Homeland,
My identity,
With the muse of Africa!
North, south, east and west;
With the muse of Mama Africa.
She is Mama Africa!
Facing the world,
Her muse is for you and me!
The muse of Mama Africa;
Cried the Beloved Child!
Mamaa! Mamaa!
Cried the Beloved Child of Africa.
Hear my voice,
My choice is with my mind;
Hear the echoes of Mama Africa!
The cry of the jungles,
The cry of the streets!
Oh! What a beauty she beholds;
The beauty of Mama Africa.
Africa! Africa! Africa!
Mama Africa my Homeland;
Mamaa! Mamaa!
Oh! What a beauty she beholds;
Oh Mama Africa!
Riches and beauty,
Colours and Natural Resources!
Mama Africa we need you,
We need your sweet love,
Able to carry on our dreams.
The beauty of this continent,
Africa!
The beauty of your Name;
Mama Africa!
The colour of your skin and, the colours of your children;
Mama Africa!
We need your sweet love,
Able to carry on with our Talents.
Down!
But I believe in the truth;
Faith and hope,
Born and raised in Africa.
Growing up in Ghana,
To face the world today with my works;
Along the line to meet your love!
Miles away from my home.
Teachings,
Growing up,
To fall and to rise up again!
To follow after the truth,
Keeping the laws,
Righteous Laws;
To choose those things which are right and,
To seek for peace.
Born in Africa,
Born and raised in Africa;
Kiss, hiss, miss!
Literature from Africa;
Warm and Friendly,
To do my best for others.
Due, dew!
With the clue;
To agree to the truth,
Free like a bee! !
Seen around a tree.
Muse of love and life,
Side by side;
To pay my dues to Mama Africa.
Growing up,
Life in the Ghetto;
Inside Africa!
Literature from Africa.
Through the narrow path,
Through Creativity,
Hustle and bustle,
Table, stable, cable, able!
Sometimes unstable;
Muse from Africa,
And to respect Mama Africa.
Cultures and Traditions,
Born and raised in Africa;
Growing up in Ghana,
With the Challenges and the Changes around.
Literature of Africa!
Rivers of Africa,
Mountains of Africa,
Animals of Africa,
North, South, East and West!
With the muse of Mama Africa.
Plants and rituals,
Stages and sages,
Pages of life!
With the muse of Africa.
Born and raised in Africa,
My mind!
My love,
My identity,
My muse;
Closely related to my tribe;
The vibe!
With my works to the world.
A new day,
Sunshine love!
A new day in Africa;
Echoes of a new day with the muse of my mind,
Born and raised in Africa.
Peace and joy to all mankind without racism!
Realism;
With the truth,
With Natural Laws,
With the romance of nature.
Issue,
Tissue,
Reign! !
Oh Life! Give me what i want;
Able to touch the hearts of the people with the truth,
With righteous morals.
Inspired by the truth,
Living and learning always;
Under the umbrella of righteous morals,
Gain, again!
With righteous laws.
Chain and pain along the line,
Growing up in Africa;
Pray, ray, pay!
To heal the world with the truth.
Don't expect a great day; create one.
"One of the sayings in our country is Ubuntu - the essence of being human. Ubuntu speaks particularly about the fact that you can't exist as a human being in isolation. It speaks about our interconnectedness. You can't be human all by yourself, and when you have this quality - Ubuntu - you are known for your generosity. We think of ourselves far too frequently as just individuals, separated from one another, whereas you are connected and what you do affects the whole world. When you do well, it spreads out; it is for the whole of humanity."
What To Read Next?
Story of an African Farm
The Story of an African Farm is an 1883 novel by a South African political activist and writer, Olive Schreiner. This novel, which explores feminism, atheism, and the impact of British imperialism on South African peoples, is acknowledged as a groundbreaking piece of philosophical fiction and Bildungsroman.
A Spell of Good Things
Ayobami Adebayo, the Women's Prize shortlisted author of Stay With Me, presents an astonishing tale of contemporary Nigeria and two families entangled in the currents of affluence, authority, amorous fixation, and political malfeasance.
Attached
Discover how to find and keep love by understanding adult attachment science in this practical relationship book.
Things Fall Apart
A masterpiece from a giant of African literature. Things Fall Apart recreates African tribal life before Christianity and shows how the coming of the white man led to the breaking up of the old ways.
African Short Stories
"The International Society of Literary Fellows (Lsi) is the society of creative writers and scholars from African and the world with a critical interest in current developments around modern cultures of indigenous and foreign language expressions. In partnership with Progeny international, the Lsi aims to assess and promote the emergence of works of visionary creative impetus in the genres of modern African fiction, non-fiction and visual arts. 38 stories are included in this anthology."