A peaceful Sunday morning turned chaotic for Azizi as he was brought to the emergency room. He was in agony, bleeding, and had huge bite marks on him, mostly on his arms and legs. He claimed it was a Boerboel that attacked him, but the doctors doubted the validity of his story due to the size of the wounds.
Meanwhile, the police received an anonymous tip suggesting that a wild animal might be on the loose in the city after having bitten someone. The tipster provided the police with the address of an apartment in Langa, Cape Town. Upon arrival, the police heard a menacing growl coming from inside through the front door. Eager to investigate, they made their way to the apartment next door, grabbed a drill, and started making tiny holes in the wall to peek inside. To their shock, they were met with the unexpected sight of a 200-kilogram African lion lounging in the Langa apartment. The pressing question was: How on earth did the king of the jungle end up there?
Back to Azizi, a 31-year-old part-time driver for a ride-sharing company who had a strong love for animals. He went to the extent of illegally acquiring an infant Cape baboon and a lion cub from an exotic animal trainer in Cape Town and bringing them to live with him in his government-subsidised apartment in Langa. Azizi already had a ball python named Sly living with him in his apartment, and now he also has a Cape baboon and a lion. What could possibly go wrong?
When Azizi acquired the Cape baboon, it was unwell, leading to a short life span. Sadly, the baboon passed away shortly after, but the lion cub survived. Azizi named the cub Shiba and raised him in his apartment, providing him with his own room, a sandbox to play in, and transitioning him to solid food. Their bond grew strong, making them the best of friends.
After two and a half years had passed, Shiba had outgrown his cub days. He had transformed into a 200-kilograms king of the beasts, yet he still resided in that government-subsidised apartment with Azizi and Sly. Azizi supposedly fed him 8 to 10-kilograms of chicken daily, considering his massive size. Lions sure do have an appetite!
If you thought a man and a giant lion sharing an apartment was a recipe for disaster, you wouldn't be alone. However, against all odds, everything was actually going perfectly well.
It was a regular day until Azizi encountered a stray house cat lingering right outside his doorstep. Driven by his affection for animals, he welcomed the cat into his home, adopted him, and lovingly named him Shadow. To ensure Shadow's comfort, Azizi arranged a special room for him, away from Shiba.
After about three weeks, Azizi and Shiba were playfully wrestling, their usual way of playing together. Suddenly, Shadow emerged from his room, and Shiba, catching a glimpse of him, immediately switched into wild animal mode. He sprang into action, pursuing Shadow relentlessly around the place in an attempt to capture and eliminate him. Azizi quickly reacted by positioning himself between Shiba and Shadow, only to end up being tackled by Shiba. Azizi held onto him tightly to prevent him from going after Shadow, but that's when Shiba latched onto Azizi's neck, then his arm, and finally clamped down on his knee, refusing to release his grip.
Azizi found himself in a precarious situation when his knee ended up in the mouth of an African lion. The tense standoff lasted for two long minutes before Shiba decided to release him. Feeling remorseful, Shiba quickly sought refuge in the bathroom. In great pain, Azizi was forced to dial for paramedics, who quickly transported him to the hospital. It was then that he fabricated a story about a Boerboel attack, worried that they would uncover Shiba and take his lion away.
Back at the neighbour's place, the police officers gazed through the hole they had created in the wall and were startled to find a fully-grown lion lounging inside. "Yoh, yoh, yooh!" the officers exclaimed in disbelief. Now, they needed to brainstorm a strategy to safely remove this 200-kilograms beast without becoming its next meal.
A police officer rappelled down the building with a tranquillizer gun in hand. Upon reaching the apartment window, he glimpsed Shiba inside. Taking aim through the bars, he fired a dart, striking Shiba on the shoulder.
Shiba's reaction was clear: he was not happy with the situation, leading him to get angry and charge at the window, repeatedly slamming against it. Fortunately, Shiba eventually succumbed to the tranquillizer, and the police were able to safely remove both Shiba and Sly from Azizi's apartment before relocating them. As expected, Azizi was taken into custody.
Charged with reckless endangerment and keeping wild animals without the proper permit, he was convicted and handed a fifteen-month prison term after a court hearing.
Sly, the ball python, was rehoused in a snake sanctuary in Cape Town, and Shiba was moved to an animal sanctuary in Paarl, where he had the opportunity to run and play with other big cats, including lions.
Until the age of nineteen years and four months, Shiba lived in that location, a significant lifespan in lion years. Sadly, he eventually passed away from natural causes.
Shadow was never seen again.
"Now that I knew fear, I also knew it was not permanent. As powerful as it was, its grip on me would loosen. It would pass."
Millions queued in lines before Arbiter Of Disputes.
Hopes were high,
Duty and resolve holding firm.
Hearts dance with spirit of Emancipation,
Each with ammo stronger than bullet,
Ready to dislodge a fiendish cabal out of Power.
All conscious of the long night of tribulation.
Singly, the weapons were discharged
Into The Receptacle Of Liberty;
Upon which they received baptisms of Freedom.
Inside the altar tugs of war ensued:
Invisible fibres bound and aligned aspirations.
Popular Will prevailed.
Bearing the scars of Apartheid,
Indigenous people celebrate the birth of Democracy.
Ballot Box had come at a great expense;
At all costs its sacredness shall be preserved.
Those were the surviving heroes and heroines of Mzansi.
Awesome adventures of African children with colorful drawings
Ulli finds a friend at the Saturday market, where he sells oranges.
Amina learns from her aunt how to make tie-dyed material.
Ojo the dream monster
Dondo saves his village from a terrible sandstorm.
Nandi meets her grandma in a dream.
Chinere receives seven magic stones on her wedding day.
Ali helps build a new schoolhouse in the middle of the jungle.
Saku stumbles on a magic medicine man who can read his thoughts.
Punji falls from his canoe into the lagoon and almost drowns.
Miriam dances for Grandma at the big family party.
Embark on an enchanting adventure with Tales from the African Continent, where ancient stories come to life before your eyes. Immerse yourself in a world where the boundaries between reality and myth blur, and where the echoes of the past resonate in every element of nature.
"Dikgang Moseneke pays homage to the many people and places that have helped to define and shape him. In tracing his ancestry, the influence on both his maternal and paternal sides is evident in the values they imbued in their children - the importance of family, the value of hard work and education, an uncompromising moral code, compassion for those less fortunate and unflinching refusal to accept an unjust political regime or acknowledge its oppressive laws. As a young activist in the Pan Africanist Congress, at the tender age of 15, Moseneke was arrested, detained and, in 1963, sentenced to 10 years on Robben Island for participating in anti-apartheid activities. Physical incarceration, harsh conditions and inhumane treatment could not imprison the political prisoners' minds, however, and for many the Island became a school not only in politics but an opportunity for dedicated study, formal and informal. It set the young Moseneke on a path towards a law degree that would provide the bedrock for a long and fruitful legal career and see him serve his country in the highest court. My Own Liberator charts Moseneke's rise as one of the country's top legal minds, who not only helped to draft the interim Constitution, but for 15 years acted as a guardian of that Constitution for all South Africans, helping to make it a living document for the country and its people"
At fourteen, Adunni dreams of getting an education and giving her family a more comfortable home in her small Nigerian village. Instead, Adunni's father sells her off to become the third wife of an old man. When tragedy strikes in her new home, Adunni flees to the wealthy enclaves of Lagos, where she becomes a housegirl to the cruel Big Madam and prey to Big Madam's husband. But despite her situation continuously going from bad to worse, Adunni refuses to let herself be silenced. And one day, someone hears her.
Relationships can be tricky, and breakups can be worse. While most of us learn from hindsight, it often comes at the cost of making some mistakes. In this book, Toni Tone shares brilliant advice and enlightening wisdom to help you avoid some of these mistakes and improve the way you navigate love life, dating, and heartbreaks.
Tears of Disinheritance offers a comprehensive analysis of the land-related issues faced by the Maasai people. Dr. Koissaba explores the history of the Maasai community, highlighting their cultural heritage, spiritual practices, and movements across the Rift Valley in Kenya and Tanzania.
This powerful novel is based on the actual history of 'Farini's Friendly Zulus', men who were brought to Britain and then to America as entertainment. The story starts in 1885 with the main character, Em-Pee, in cold New York, disliking the exaggerated 'savage' performance of 'The Wild Zulu', which is very different from his own true history, not well understood in this foreign land: 'His Zulu colleagues call him Mpi, which has become Em-Pee to the English-speakers.' His real name is not the only thing lost in this distant foreign country, and he is viewed as nothing more than a sideshow act, although at least he is not kept in a cage like the beautiful Dinka Princess, owned by Monsieur Duval, the owner of Duval Ethnological Expositions. And so begins one of Zakes Mda's most powerful stories, a short novel but one that delivers a strong message and will evoke intense emotions in its portrayal of real injustices and indignities while also celebrating the strength and creativity of the human spirit and the transformative power of love.
A collection of twelve stories.
Private Experience: During a violent riot, a medical student finds shelter with a destitute Muslim woman, whose strong sense of dignity and faith compels her to confront the harsh realities and fears she has been avoiding.
The Thing Around Your Neck: We see a Nigerian girl experiencing intense loneliness after moving to America, a place that doesn't live up to her expectations. While love seems to offer some solace, a loss in her homeland forces her to reconsider her aspirations.
Tomorrow Is Too Far: A woman uncovers a tragic secret connected to her brother's death.
Imitation: A young mother is upset when she finds out her husband in Lagos has moved his girlfriend into their home, threatening her comfortable life.
Chimamanda Ngozi Adichie's storytelling prowess shines through in this collection, which is both searing and profound, brimming with beauty, sorrow, and longing.
In this book, readers will find a unique exploration of the struggles faced by black South Africans in relation to land, labour, dispossession, and violence over the years. Mbuso Nkosi uses the 1959 potato boycott in South Africa as a starting point for thinking about the meaning of land and ancestral connection.
A deserving recipient of the 2016 Goodreads Choice Award. Discover Amanda Lovelace's captivating poetry collection, divided into four parts: The Princess, The Damsel, The Queen, and You. Unveil the author's journey through life in the first three sections, with the final part offering a heartfelt message to the reader. Dive into this poignant book, delving into themes of love, loss, grief, healing, empowerment, and inspiration.
"If sharks were men," Mr. K. was asked by his landlady's little girl, "would they be nicer to the little fishes?"
"Certainly," he said. "If sharks were men, they would build enormous boxes in the ocean for the little fish, with all kinds of food inside, both vegetable and animal. They would take care that the boxes always had fresh water, and in general they would make all kinds of sanitary arrangements. If, for example, a little fish were to injure a fin, it would immediately be bandaged so that it would not die and be lost to the sharks before its time. So that the little fish would not become melancholy, there would be big water festivals from time to time because cheerful fish taste better than melancholy ones.
"There would, of course, also be schools in the big boxes. In these schools, the little fish would learn how to swim into the sharks' jaws. They would need to know geography, for example, so that they could find the big sharks, who lie idly around somewhere. The principal subject would, of course, be the moral education of the little fish. They would be taught that it would be the best and most beautiful thing in the world if a little fish sacrificed itself cheerfully and that they all had to believe the sharks, especially when the latter said they were providing for a beautiful future. The little fish would be taught that this future is assured only if they learnt obedience. The little fish had to beware of all base, materialist, egotistical, and Marxist inclinations, and if one of their number betrayed such inclinations, they had to report it to the sharks immediately.
"If sharks were men, they would, of course, also wage wars against one another in order to conquer other fish boxes and other little fish. The wars would be waged by their own little fish. They would teach their little fish that there was an enormous difference between themselves and the little fish belonging to the other sharks. Little fish, they would announce, are well known to be mute, but they are silent in quite different languages and hence find it impossible to understand one another. Each little fish that, in a war, killed a couple of other little fish, enemy ones, silent in their own language, would have a little order made of seaweed pinned to it and be awarded the title of hero.
"If sharks were men, there would, of course, also be art. There would be beautiful pictures in which the sharks' teeth would be portrayed in magnificent colours and their jaws as pure pleasure gardens, in which one could romp about splendidly. The theatres at the bottom of the sea would show heroic little fish swimming enthusiastically into the jaws of sharks, and the music would be so beautiful that to the accompaniment of its sounds, the orchestra leading the way, the little fish would stream dreamily into the sharks' jaws, lulled by the most agreeable thoughts.
"There would also be a religion if sharks were men. It would preach that little fish only really begin to live properly in the sharks' stomachs.
"Furthermore, if sharks were men, there would be an end to all little fish being equal, as is the case now. Some would be given important offices and be placed above the others. Those who were a little bigger would even be allowed to eat up the smaller ones. That would be altogether agreeable for the sharks, since they themselves would more often get bigger bites to eat. And the bigger little fish, occupying their posts, would ensure order among the little fish, become teachers, officers, engineers in box construction, etc.
"In short, if sharks were men, they would for the first time bring culture to the ocean."
Africa, Our Africa
Africa of Green and Black, of colors in between
Africa of people, of love and light, from within
Africa of ethnics and languages, of long told history
Africa of cultures and traditions, a rich tapestry.
Africa of strife and victory through colonial time
Africa of struggle through imperial crime
Africa of war, both tribal and civil
Africa of peace, condemning evil
Africa of hope, freedom and liberation
Africa of growth, of change and innovation
Africa of then: men, women - slaves to capture
Africa of now: men, women - reclaiming our valor!
Bitterbessie dagbreek
bitterbessie son
'n spieel het gebreek
tussen my en hom
Soek ek na die grootpad
om daarlangs te draf
oral draai die paadjies
van sy woorde af
Dennebos herinnering
dennebos vergeet
het ek ook verdwaal
trap ek in my leed
Papegaai-bont eggo
kierang kierang my
totdat ek bedroe
weer die koggel kry
Eggo is geen antwoord
antwoord hy alom
bitterbessie dagbreek
bitterbessie son
We are the miracles that God made
To taste the bitter fruit of Time.
We are precious.
And one day our suffering
Will turn into the wonders of the earth.
There are things that burn me now
Which turn golden when I am happy.
Do you see the mystery of our pain?
That we bear poverty
And are able to sing and dream sweet things
And that we never curse the air when it is warm
Or the fruit when it tastes so good
Or the lights that bounce gently on the waters?
We bless things even in our pain.
We bless them in silence.
That is why our music is so sweet.
It makes the air remember.
There are secret miracles at work
That only Time will bring forth.
I too have heard the dead singing.
And they tell me that
This life is good
They tell me to live it gently
With fire, and always with hope.
There is wonder here
And there is surprise
In everything the unseen moves.
The ocean is full of songs.
The sky is not an enemy.
Destiny is our friend.
Africa Africa Africa!
Oh the once mighty and heroic Africa
Why has thou grown so cold?
Why has thou remained thus numb?
A fremd is here in thy enclave
Battling thy home without mercy
And battering thy all in thy all
Before thy very eyes, oh Africa!
Thy peace is stolen
And fear injected in thy veins
With thy activities all at halt
All by same unwelcome visitor.
Thy hands are caged
And thy mouth silenced with mask
While thy children die in numbers
Before thy very eyes, oh Africa!
Hunger is dire in the land
Yet thy children are home and docked
For the fear of the fremd
And thou dost nothing.
Thou keepest quite, oh Africa!
In the midst of all these
Waiting for the Whites to solve thy puzzle
And the world to come to your rescue.
When hast thou grown lazy, Africa?
Where are thy ecumenic powers?
Where are thy roots and thy foods?
What happened to thy herbs?
Why art thou dependent on the Whites?
Why hope on them for solution?
Why look akimbo, oh Africa?
Can't solution come from thee?
Are thy bushes there in vain?
Thy creatures and powers to create
Africa, recall thy deeeds in the past
And mights and beauty in the days of old.
Arise, oh Africa, to save the world
For a fremd has trapped the earth
And the key with the earth remains
Arise oh Africa, and find ye the key.
Arise, Africa, Arise
Leverage thy powers and flowers
The world is waiting for your
Arise, oh Africa, arise
Dance, dance!
With the muse of Africa;
Tap, tap!
With the rhythm of Africa;
Moving your body and,
Moving your steps;
To the sounds and cultures of the various tribes in Africa.
Dance, dance!
To the rhythm of Africa;
Tap, tap!
With the movements of the muse of Africa;
To a continent of nature's muse,
To a continent of multi-languages,
To a continent full of colours!
Fron North, South, East and West;
Come to Africa and see things for yourselves.
Rhythm of Africa,
Rhythm of various customs and cultures,
Rhythm of the various countries in Africa,
Rhythm of the animals,
With the beauty of nature as seen around.
Dance, dance!
Dance with the steps and shake your body;
To the rhythm of Africa touching your heart and soul.
Tap, tap!
With the movements of the muse of Africa;
Rhythm of Africa!
With the muse of various races in Africa;
Expressing their cultures and customs to the muse of the rhythm of Africa.
A wind is ruffling the tawny pelt
Of Africa, Kikuyu, quick as flies,
Batten upon the bloodstreams of the veldt.
Corpses are scattered through a paradise.
Only the worm, colonel of carrion, cries:
'Waste no compassion on these separate dead!'
Statistics justify and scholars seize
The salients of colonial policy.
What is that to the white child hacked in bed?
To savages, expendable as Jews?
Threshed out by beaters, the long rushes break
In a white dust of ibises whose cries
Have wheeled since civilizations dawn
From the parched river or beast-teeming plain.
The violence of beast on beast is read
As natural law, but upright man
Seeks his divinity by inflicting pain.
Delirious as these worried beasts, his wars
Dance to the tightened carcass of a drum,
While he calls courage still that native dread
Of the white peace contracted by the dead.
Again brutish necessity wipes its hands
Upon the napkin of a dirty cause, again
A waste of our compassion, as with Spain,
The gorilla wrestles with the superman.
I who am poisoned with the blood of both,
Where shall I turn, divided to the vein?
I who have cursed
The drunken officer of British rule, how choose
Between this Africa and the English tongue I love?
Betray them both, or give back what they give?
How can I face such slaughter and be cool?
How can I turn from Africa and live?
One of the last (if not the last) of Africa's
tallest trees has fallen
Yes, Kofi Anan breathes no more
Death has stolen one of the last true sons of the soil
Death has stolen one of the last of Africa's favorite sons
Africa is weeping!
Africa is mourning!
Africa is weeping!
Africa is mourning!
One who was an embodiment of integrity is no more
Africa is mourning!
One who was Africa's pride and joy breathes no more
Africa is inconsolable!
One who was a compass of morality is late
Africa is weeping!
Oh Africa! Was Kofi your last born?
Is any of your favorite sons still alive?
Corruption is rampant
Integrity is not in any of our leaders vocabulary
Moral decay stinks up to the heavens
God and His angels must be closing their noses.
You join your fellow brothers
You join other favorite sons of Africa
You join Jomo Kenyatta
You join Patrice Lumumba
You join Julius Nyerere
You join Steve Biko
You join Nelson Mandela
One of Africa's tallest trees has fallen
Kofi Anan breathes no more.
I am sorry
I am sorry that I am seen as inferior
I am sorry that I walk around real loud and oh so proud.
I am sorry that I stand out,
I stand out because I am different
Uxolo bhuti for being myself
For standing up for myself,
For fighting for my rights
Uxolo bhuti for wearing a dress
For wearing something that you might define as revealing
I, as intombi find this dress appealing
Ke maswabi that your imagination ran wild and left you aroused
Your thoughts, your actions
Are you proud
Are you proud that you left my dignity dead and my spirit without a chance to rise
Tshwarelo mama afrika
Your children have no love for each other
Your children are dancing with knives just for clout
Ringing their neighbours necks just for selling bread at half price
Some of your children are crying without a voice
Some of your children are left with scars that are not seen, without choice
Asseblief ma
Ek weet jy is kwaad
I know it hurts to see the gifts that you gave us flow like the fluent Tanganyika and into the rich man's mouth
I know it hurts to see the spirit of Ubuntu replaced by the spirit of Izita
Asseblief ma, retshwarele
I know it hurts that you're beginning to rifts apart like modern day families disconnecting
You're ripping apart from small Djibouti, down to vibrant Maputo
We all see that
We live in a patriarchal society where we find ourselves apologizing for being female,
And where smashing makes you alpha male
We all smell
The gunpowder over all the Chlorofluorocarbon emissions
We all smell the iron in the blood of the victims
Mothers and Fathers
Sisters and Brothers
We miss their presence as we see them disappear
We miss the safety of our hometowns
We need not a teaser nor a knife to feel safe
All we cry for is change
Nothing more
Nothing less
Just change
Mama Africa!
Welcome to Africa,
Mamaa! Mamaa!
Mama Africa my Homeland;
She is Mama Africa!
Welcome into the jungle,
Welcome into her jungle,
Welcome into my world so sweet with the muse of my mind!
Mama Africa's Identity,
My Homeland,
My identity,
With the muse of Africa!
North, south, east and west;
With the muse of Mama Africa.
She is Mama Africa!
Facing the world,
Her muse is for you and me!
The muse of Mama Africa;
Cried the Beloved Child!
Mamaa! Mamaa!
Cried the Beloved Child of Africa.
Hear my voice,
My choice is with my mind;
Hear the echoes of Mama Africa!
The cry of the jungles,
The cry of the streets!
Oh! What a beauty she beholds;
The beauty of Mama Africa.
Africa! Africa! Africa!
Mama Africa my Homeland;
Mamaa! Mamaa!
Oh! What a beauty she beholds;
Oh Mama Africa!
Riches and beauty,
Colours and Natural Resources!
Mama Africa we need you,
We need your sweet love,
Able to carry on our dreams.
The beauty of this continent,
Africa!
The beauty of your Name;
Mama Africa!
The colour of your skin and, the colours of your children;
Mama Africa!
We need your sweet love,
Able to carry on with our Talents.
Millions queued in lines before Arbiter Of Disputes.
Hopes were high,
Duty and resolve holding firm.
Hearts dance with spirit of Emancipation,
Each with ammo stronger than bullet,
Ready to dislodge a fiendish cabal out of Power.
All conscious of the long night of tribulation.
Singly, the weapons were discharged
Into The Receptacle Of Liberty;
Upon which they received baptisms of Freedom.
Inside the altar tugs of war ensued:
Invisible fibres bound and aligned aspirations.
Popular Will prevailed.
Bearing the scars of Apartheid,
Indigenous people celebrate the birth of Democracy.
Ballot Box had come at a great expense;
At all costs its sacredness shall be preserved.
Those were the surviving heroes and heroines of Mzansi.
A year from now you may wish you had started today.
"One of the sayings in our country is Ubuntu - the essence of being human. Ubuntu speaks particularly about the fact that you can't exist as a human being in isolation. It speaks about our interconnectedness. You can't be human all by yourself, and when you have this quality - Ubuntu - you are known for your generosity. We think of ourselves far too frequently as just individuals, separated from one another, whereas you are connected and what you do affects the whole world. When you do well, it spreads out; it is for the whole of humanity."
What To Read Next?
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Dive into this collection of poetry and prose inspired by modern dating and broken relationships, perfect for fans of Rupi Kaur and Orion Carloto.
"You'll Come Back to Yourself" examines issues of depression, infidelity, lost love, body image, and ultimately the ability of women to make their own decisions.
Dear Self
With a focus on self-love, self-acceptance, growth, and healing, "Dear Self" is an effortlessly flowing compilation of kind reminders and affirmations. This collection takes you on an introspective and contemplative journey that leads you to discover all the layers of yourself that are just waiting to be loved.
Maya Angelou: The Complete Poetry
Virago presents an updated collection of Maya Angelou's works of poetry, collected together for the first time. From her reflections on African American life and hardship in Just Give Me a Cool Drink of Water 'fore I Diiie to her revolutionary celebrations of womanhood in Phenomenal Woman and Still I Rise, and her elegant tributes to dignitaries Bill Clinton and Nelson Mandela (On the Pulse of Morning and His Day Is Done, respectively), every inspiring word of Maya Angelou's poetry is included in the pages of this volume.
Notes on Grief
Grief is a cruel kind of education. You learn how ungentle mourning can be and how full of anger it is. You learn how glib condolences can feel. You learn how much grief there is about language, the failure of language, and grasping for language.
The best-selling author of Americanah and Half of a Yellow Sun shares with us a personal and powerful essay on loss from Chimamanda Ngozi Adichie.
African Tales
There are eight traditional African tales in this anthology. These enduring tales of bravery, wisdom, wit, and heroic deeds are adorned with exquisite hand-sewn collage artwork embellished with African beads.