Pradeep, a police officer based in Benoni, South Africa, grew weary of his monotonous routine. In search of thrill, he devised a bold scheme to rob a bank.
He booked an early flight from Johannesburg to Durban, rented a car upon landing, and made his way to a nearby bank. Before leaving his vehicle, he put on a wig and a fake beard. Once inside the bank, he pointed his gun at the teller, insisting she fill his bag with cash. After successfully obtaining the money, he quickly left and caught the next flight back to Johannesburg.
The robbery went off seamlessly, leaving Pradeep buzzing with excitement. This thrill ignited a series of plans for more bank robberies, one after another, until he was frequently flying to Durban on his days off to execute yet another daring theft. He even started hitting up local banks in Johannesburg during his lunch breaks. With his ingenious disguises, he could pull off the crime and then seamlessly return to the area, leaving witnesses completely unaware that he was the very person they were describing.
Pradeep had honed his skills in bank robbery to perfection; he was intimately familiar with the intricacies of bank security systems, allowing him to dodge capture time after time. Over the course of four thrilling years, he successfully executed heists at around 30 different banks, with each adventure delivering an adrenaline-fuelled thrill.
One fateful evening, the atmosphere shifted dramatically. At a vibrant party, he indulged a bit too much in the drinks and struck up a conversation with his buddy Larry. Fuelled by a surge of confidence, he started bragging to Larry about his latest bank heists, insisting he was a master in the art of robbery.
Larry worked for SAMBO, a branch of the South African Police Service focused on combating organised crime, economic offences, and corruption. Bound by his oath and the responsibilities of his role, he realised he could not stay silent about the secret and chose to bring it to the attention of his superiors.
Upon Pradeep's return from Durban, having just pulled off another bank heist, the police were poised and ready at the baggage claim. He was taken into custody and sentenced to 18 years in prison. However, Pradeep wasn't about to give up; he began devising his escape plan even as the judge delivered his verdict.
While he was incarcerated, he crossed paths with a man named Mpande, and shortly thereafter, he met another fellow inmate named Fanie. Both were serving sentences for robbery, and before long, the trio developed a solid friendship that would see them through their time behind bars.
After nearly three years of incarceration, the trio concocted a bold escape strategy. They initiated their plan by having Pradeep and Mpande feign injuries, successfully persuading the prison guards to escort them to an external physiotherapist for care. Upon arrival, they seized the moment, overpowering the guards and taking their firearms. Armed with the guards' weapons, they commandeered the physiotherapist's vehicle and made a thrilling escape. Following their flight, they opted to lay low for some time.
Several months went by, and they launched a daring assault on the prison where Fanie was held captive, guns blazing, and managed to break him out. Now that the trio was back together and on the run, they had to find a place to lay low.
Pradeep was filled with restlessness, craving the thrill of robbing banks once more. He, along with his two accomplices, set off on a daring escapade, starting with one bank and swiftly moving to the next, then a third. Their spree continued as they hit bank after bank, all while sporting ridiculous disguises: giant sunglasses, bushy moustaches, and fake beards. They may have looked comical, but their synergy was impressive, allowing them to complete a heist in under five minutes. On some occasions, they even managed to rob several banks in a single day without being apprehended.
As their exploits gained notoriety, news of the bank robbers spread like wildfire through the community. Surprisingly, many locals began to rally behind them, captivated by how they outsmarted the police. Pradeep, Mpande, and Fanie found themselves in the spotlight as unlikely heroes, affectionately dubbed "The Invisibles" by their growing legion of fans. The frenzy surrounding them was palpable, and their faces were splashed across every news platform, igniting discussions far and wide. They untimately became South Africa's most wanted.
Over a span of several months, the crime spree showed no signs of slowing down. The gang found shelter in various safe houses, seized every chance to rob banks, amassed a significant amount of cash, and filled their leisure time with a parade of escorts.
Pradeep had a disturbing tendency to target unsuspecting young women, posing as a professional photographer. He lured them to his hotel room with the allure of a photoshoot, only to take advantage of them in a shocking way. One brave victim mustered the strength to report his heinous behaviour to the authorities.
With the threat of being captured hanging over them, the three quickly formulated an ingenious escape strategy to leave the country. They decided to obtain a yacht, aiming to make their getaway by sea. They believed this maritime route offered a greater sense of safety.
Using a fraudulent passport, Pradeep headed to Australia to finalise the discussions surrounding the yacht sale. Meanwhile, back in South Africa, law enforcement was closing in on one of the gang's secret locations. It appeared that some of the gang's escorts had tipped off the authorities. At approximately 4:00 am, the police surrounded the location, with Mpande being the sole occupant of the hideout. Police ordered the gang to come out with their hands raised. In a surreal moment, Mpande, still dripping from his shower and entirely naked, reached for his weapon and found himself in a frantic butt-naked shootout with law enforcement. The police burst into the house, and gunfire erupted around him as he dashed from one room to another, firing back at his pursuers. When they finally cornered him, he made a tragic choice, turning the gun on himself and ending it all.
In the meantime, Fanie received a tip-off that the police were closing in on them. He quickly made his escape, using a counterfeit passport to catch a flight to Greece. By the time the police conducted their raid on the gang's safe houses, he had already vanished. However, in one of those locations, they discovered photographs of a woman whom Pradeep had assaulted several months earlier. This evidence not only corroborated her account of being exploited by him but also linked the safe house directly to Pradeep.
The safe house provided crucial information that directed the police to the yacht they had purchased. From there, they traced a crew member hired to navigate it, who revealed that Pradeep was meant to transport the yacht to Australia. This development led law enforcement to conclude that Pradeep might be in Australia. Local newspapers caught wind of the story and began featuring Pradeep's photo, causing residents in Melbourne to be on the lookout for him.
One fateful morning, everything began to unravel for Pradeep. He was browsing a used car dealership, eager to find a new car, worried that his old one might give him away. The salesman, having seen Pradeep's face in the local newspaper, kept quiet at first but later decided to alert the authorities.
That night, the police made their way to Pradeep's apartment, forcefully entering the premises. But to their dismay, Pradeep was nowhere to be found. But just when it seemed like they were at a dead end, one of the officers spotted him whizzing by on a bicycle. There was no doubt about it; he recognised him instantly. The police officer dashed over to confront him. Realising what was happening, Pradeep jumped off his bike and made a run for it.
The police officer pursued him relentlessly until he finally caught up. Pradeep, who had been feigning surrender, suddenly lunged for the officer's shotgun. In a split second, the officer reacted by drawing his secondary weapon and fired four shots into Pradeep's chest, resulting in his immediate death.
Fanie, the sole remaining member of the trio, ended up in Brazil, where he tried to pull off another heist. Unfortunately, his plan failed spectacularly, resulting in his arrest and a life sentence without the possibility of parole.
"Now that I knew fear, I also knew it was not permanent. As powerful as it was, its grip on me would loosen. It would pass."
The sun sought thy dim bed and brought forth light,
The sciences were sucklings at thy breast;
When all the world was young in pregnant night
Thy slaves toiled at thy monumental best.
Thou ancient treasure-land, thou modern prize,
New peoples marvel at thy pyramids!
The years roll on, thy sphinx of riddle eyes
Watches the mad world with immobile lids.
The Hebrews humbled them at Pharaoh's name.
Cradle of Power! Yet all things were in vain!
Honor and Glory, Arrogance and Fame!
They went. The darkness swallowed thee again.
Thou art the harlot, now thy time is done,
Of all the mighty nations of the sun.
This book delves into how environmentalist and developmentalist ideas affect the indigenous population and their socio-economic status in the DRC. It specifically looks at the Batwa pygmies, who were displaced from Kahuzi-Biega National Park in the Eastern DRC and now reside in the mountainous region. The book also examines how they currently obtain natural resources like land, forests, and water and maps out the conflicts that arise.
Vincent Chukwuemeka Ike, one of Nigeria's best writers, is concerned about the state of his country. In this book, he tells about the tragedy of the Biafran War. Fatima is escaping the hostile planes with her young child, and through her unfurling show, the peruser sees what the conflict was truly similar to through Biafran eyes.
In this radical critique of established pre-colonial and colonial history, Mellet centers on land dispossession, the destruction of livelihoods, and the brutality of slavery in South Africa. Drawing on scholarly work and his own experience of searching for identity, Mellet provides a bold new perspective on the loss of land and belonging. Characters such as Autshumao, Krotoa and Doman come to life in the story of the founding of a port at Cape Town over 50 years before Jan van Riebeeck arrived.
"The pioneers in my family went to Rhodesia just before the Boer War in 1896, travelling on one of the first trains to Bulawayo. My father and uncle left home in 1928 going up to Northern Rhodesia to work on the copper mines. My grandfather opened up new gold mines in Penelonga and built the house at Manchester Gardens in the Eastern Highlands of Rhodesia. He ranched, mined, gambled and raised a family of five boys and a girl in an Africa that was very wild and primitive. My great grandfather was born in England, travelled in the Wild West of America before ending up in Cape Town where his daughter married my grandfather and travelled north. My mother arrived in Africa from England in 1936 under the auspices of the 1820 settlers club and travelled up to Northern Rhodesia where she met my father. My friends and I went to boarding school in Lusaka and many of us went on to achieve great things in life. The mining towns of the Copperbelt and the many old characters that lived in Rhodesia form a large part of the backdrop of my life. My wife, on an impulse, accepted a job with the copper mines in Zambia in 1968 as a young girl. She knew many of the characters in these stories and knows how likely the unlikely tales are. Out of all this comes a wealth of reality and myth that cannot possibly go untold."
"The International Society of Literary Fellows (Lsi) is the society of creative writers and scholars from African and the world with a critical interest in current developments around modern cultures of indigenous and foreign language expressions. In partnership with Progeny international, the Lsi aims to assess and promote the emergence of works of visionary creative impetus in the genres of modern African fiction, non-fiction and visual arts. 38 stories are included in this anthology."
Echeruo has good ear. Regardless of the tale they tell, his stories are filled with heart, wit, and beauty, and his characters are expertly drawn.
I Write What I Like features the writing of Steve Biko, a well-known activist and leader of the Black Consciousness movement. He played a crucial role in uniting black Africans in the struggle against the apartheid government in South Africa until his untimely death at age 30.
Al Venter regards himself as an African - a 'white' African, but as much a part of the fascinating and often troubled continent on which he was born as his Zulu and Swahili speaking contemporaries. There is no country in Africa that he has not visited. During his half-century career as a foreign correspondent, working for media outlets on four continents, he has given his version of unfolding events from many of them, including Britain's Jane's Information Group, the Daily Express and Daily Mail of London, United Press International, Geneva's Interavia, the BBC, SABC, and NBC (radio), as well as scores of magazines. His love for Africa stems, in part, from his childhood. At the age of 14, while on vacation in what was then still Northern Rhodesia, he hitch-hiked back to boarding school in Johannesburg in a race with his schoolmates, who travelled by train. And he won. Seven years later, after completing three years in the navy, he explored East Africa, ended up in Mombasa, Kenya, and cadged a lift on a freighter to Canada. Then, after qualifying professionally in London, he travelled overland through West Africa all the way to London. Along the way, he met many notables, including Ghana's Kwame Nkrumah and the man who hosted Graham Greene at his derelict hotel in Liberia, then all but an American colony, where the 'greenback' was the official currency, as well as the great Dr. Albert Schweitzer. The author spent a week at his jungle clinic at Lambarane in Gabon. Venter includes many of these adventures in this new book. He also delves into some of his military adventures and has invited several of his old colleagues to add some of their thoughts to this bundle of travel, adventure, and excitement to create a remarkable insight into a continent that, though briefly 'tamed' by Europe, was never really subjugated. In that anomaly too, there lies much stirring yarn.
The Story of an African Farm is an 1883 novel by a South African political activist and writer, Olive Schreiner. This novel, which explores feminism, atheism, and the impact of British imperialism on South African peoples, is acknowledged as a groundbreaking piece of philosophical fiction and Bildungsroman.
When you let go, you live intuitively. You are no longer tied to things having to be a specific way, to being a certain person, or to always being correct, therefore everything flows. How nice it is. Ironically, when you feel stuck in any aspect of your life - be it relationships, work, finances, or health - you feel trapped. letting go can seem impossible - You cling on for dear life just when you need to take the leap.
"If sharks were men," Mr. K. was asked by his landlady's little girl, "would they be nicer to the little fishes?"
"Certainly," he said. "If sharks were men, they would build enormous boxes in the ocean for the little fish, with all kinds of food inside, both vegetable and animal. They would take care that the boxes always had fresh water, and in general they would make all kinds of sanitary arrangements. If, for example, a little fish were to injure a fin, it would immediately be bandaged so that it would not die and be lost to the sharks before its time. So that the little fish would not become melancholy, there would be big water festivals from time to time because cheerful fish taste better than melancholy ones.
"There would, of course, also be schools in the big boxes. In these schools, the little fish would learn how to swim into the sharks' jaws. They would need to know geography, for example, so that they could find the big sharks, who lie idly around somewhere. The principal subject would, of course, be the moral education of the little fish. They would be taught that it would be the best and most beautiful thing in the world if a little fish sacrificed itself cheerfully and that they all had to believe the sharks, especially when the latter said they were providing for a beautiful future. The little fish would be taught that this future is assured only if they learnt obedience. The little fish had to beware of all base, materialist, egotistical, and Marxist inclinations, and if one of their number betrayed such inclinations, they had to report it to the sharks immediately.
"If sharks were men, they would, of course, also wage wars against one another in order to conquer other fish boxes and other little fish. The wars would be waged by their own little fish. They would teach their little fish that there was an enormous difference between themselves and the little fish belonging to the other sharks. Little fish, they would announce, are well known to be mute, but they are silent in quite different languages and hence find it impossible to understand one another. Each little fish that, in a war, killed a couple of other little fish, enemy ones, silent in their own language, would have a little order made of seaweed pinned to it and be awarded the title of hero.
"If sharks were men, there would, of course, also be art. There would be beautiful pictures in which the sharks' teeth would be portrayed in magnificent colours and their jaws as pure pleasure gardens, in which one could romp about splendidly. The theatres at the bottom of the sea would show heroic little fish swimming enthusiastically into the jaws of sharks, and the music would be so beautiful that to the accompaniment of its sounds, the orchestra leading the way, the little fish would stream dreamily into the sharks' jaws, lulled by the most agreeable thoughts.
"There would also be a religion if sharks were men. It would preach that little fish only really begin to live properly in the sharks' stomachs.
"Furthermore, if sharks were men, there would be an end to all little fish being equal, as is the case now. Some would be given important offices and be placed above the others. Those who were a little bigger would even be allowed to eat up the smaller ones. That would be altogether agreeable for the sharks, since they themselves would more often get bigger bites to eat. And the bigger little fish, occupying their posts, would ensure order among the little fish, become teachers, officers, engineers in box construction, etc.
"In short, if sharks were men, they would for the first time bring culture to the ocean."
Millions queued in lines before Arbiter Of Disputes.
Hopes were high,
Duty and resolve holding firm.
Hearts dance with spirit of Emancipation,
Each with ammo stronger than bullet,
Ready to dislodge a fiendish cabal out of Power.
All conscious of the long night of tribulation.
Singly, the weapons were discharged
Into The Receptacle Of Liberty;
Upon which they received baptisms of Freedom.
Inside the altar tugs of war ensued:
Invisible fibres bound and aligned aspirations.
Popular Will prevailed.
Bearing the scars of Apartheid,
Indigenous people celebrate the birth of Democracy.
Ballot Box had come at a great expense;
At all costs its sacredness shall be preserved.
Those were the surviving heroes and heroines of Mzansi.
Africa, Our Africa
Africa of Green and Black, of colors in between
Africa of people, of love and light, from within
Africa of ethnics and languages, of long told history
Africa of cultures and traditions, a rich tapestry.
Africa of strife and victory through colonial time
Africa of struggle through imperial crime
Africa of war, both tribal and civil
Africa of peace, condemning evil
Africa of hope, freedom and liberation
Africa of growth, of change and innovation
Africa of then: men, women - slaves to capture
Africa of now: men, women - reclaiming our valor!
The sun sought thy dim bed and brought forth light,
The sciences were sucklings at thy breast;
When all the world was young in pregnant night
Thy slaves toiled at thy monumental best.
Thou ancient treasure-land, thou modern prize,
New peoples marvel at thy pyramids!
The years roll on, thy sphinx of riddle eyes
Watches the mad world with immobile lids.
The Hebrews humbled them at Pharaoh's name.
Cradle of Power! Yet all things were in vain!
Honor and Glory, Arrogance and Fame!
They went. The darkness swallowed thee again.
Thou art the harlot, now thy time is done,
Of all the mighty nations of the sun.
Don't let your heart stay broken
Do not stay fixated on what could have been
Focus on all that was deep
Be thankful you smiled
Be thankful you cried
And be thankful you loved and were loved
Because no magician is strong enough to conjure the magic you've created
So don't let your heart stay broke
Don't focus on the darkness
Or things that did not last
Don't look back at your pas
When your future is that bright..
O fleece, that down the neck waves to the nape!
O curls! O perfume nonchalant and rare!
O ecstasy! To fill this alcove shape
With memories that in these tresses sleep,
I would shake them like penions in the air!
Languorous Asia, burning Africa,
And a far world, defunct almost, absent,
Within your aromatic forest stay!
As other souls on music drift away,
Mine, O my love! still floats upon your scent.
I shall go there where, full of sap, both tree
And man swoon in the heat of the southern climates;
Strong tresses be the swell that carries me!
I dream upon your sea of amber
Of dazzling sails, of oarsmen, masts, and flames:
A sun-drenched and reverberating port,
Where I imbibe colour and sound and scent;
Where vessels, gliding through the gold and moire,
Open their vast arms as they leave the shore
To clasp the pure and shimmering firmament.
I'll plunge my head, enamored of its pleasure,
In this black ocean where the other hides;
My subtle spirit then will know a measure
Of fertile idleness and fragrant leisure,
Lulled by the infinite rhythm of its tides!
Pavilion, of autumn-shadowed tresses spun,
You give me back the azure from afar;
And where the twisted locks are fringed with down
Lurk mingled odors I grow drunk upon
Of oil of coconut, of musk, and tar.
A long time! always! my hand in your hair
Will sow the stars of sapphire, pearl, ruby,
That you be never deaf to my desire,
My oasis and my gourd whence I aspire
To drink deep of the wine of memory.
We are the miracles that God made
To taste the bitter fruit of Time.
We are precious.
And one day our suffering
Will turn into the wonders of the earth.
There are things that burn me now
Which turn golden when I am happy.
Do you see the mystery of our pain?
That we bear poverty
And are able to sing and dream sweet things
And that we never curse the air when it is warm
Or the fruit when it tastes so good
Or the lights that bounce gently on the waters?
We bless things even in our pain.
We bless them in silence.
That is why our music is so sweet.
It makes the air remember.
There are secret miracles at work
That only Time will bring forth.
I too have heard the dead singing.
And they tell me that
This life is good
They tell me to live it gently
With fire, and always with hope.
There is wonder here
And there is surprise
In everything the unseen moves.
The ocean is full of songs.
The sky is not an enemy.
Destiny is our friend.
A wind is ruffling the tawny pelt
Of Africa, Kikuyu, quick as flies,
Batten upon the bloodstreams of the veldt.
Corpses are scattered through a paradise.
Only the worm, colonel of carrion, cries:
'Waste no compassion on these separate dead!'
Statistics justify and scholars seize
The salients of colonial policy.
What is that to the white child hacked in bed?
To savages, expendable as Jews?
Threshed out by beaters, the long rushes break
In a white dust of ibises whose cries
Have wheeled since civilizations dawn
From the parched river or beast-teeming plain.
The violence of beast on beast is read
As natural law, but upright man
Seeks his divinity by inflicting pain.
Delirious as these worried beasts, his wars
Dance to the tightened carcass of a drum,
While he calls courage still that native dread
Of the white peace contracted by the dead.
Again brutish necessity wipes its hands
Upon the napkin of a dirty cause, again
A waste of our compassion, as with Spain,
The gorilla wrestles with the superman.
I who am poisoned with the blood of both,
Where shall I turn, divided to the vein?
I who have cursed
The drunken officer of British rule, how choose
Between this Africa and the English tongue I love?
Betray them both, or give back what they give?
How can I face such slaughter and be cool?
How can I turn from Africa and live?
Bitterbessie dagbreek
bitterbessie son
'n spieel het gebreek
tussen my en hom
Soek ek na die grootpad
om daarlangs te draf
oral draai die paadjies
van sy woorde af
Dennebos herinnering
dennebos vergeet
het ek ook verdwaal
trap ek in my leed
Papegaai-bont eggo
kierang kierang my
totdat ek bedroe
weer die koggel kry
Eggo is geen antwoord
antwoord hy alom
bitterbessie dagbreek
bitterbessie son
Dance, dance!
With the muse of Africa;
Tap, tap!
With the rhythm of Africa;
Moving your body and,
Moving your steps;
To the sounds and cultures of the various tribes in Africa.
Dance, dance!
To the rhythm of Africa;
Tap, tap!
With the movements of the muse of Africa;
To a continent of nature's muse,
To a continent of multi-languages,
To a continent full of colours!
Fron North, South, East and West;
Come to Africa and see things for yourselves.
Rhythm of Africa,
Rhythm of various customs and cultures,
Rhythm of the various countries in Africa,
Rhythm of the animals,
With the beauty of nature as seen around.
Dance, dance!
Dance with the steps and shake your body;
To the rhythm of Africa touching your heart and soul.
Tap, tap!
With the movements of the muse of Africa;
Rhythm of Africa!
With the muse of various races in Africa;
Expressing their cultures and customs to the muse of the rhythm of Africa.
One of the last (if not the last) of Africa's
tallest trees has fallen
Yes, Kofi Anan breathes no more
Death has stolen one of the last true sons of the soil
Death has stolen one of the last of Africa's favorite sons
Africa is weeping!
Africa is mourning!
Africa is weeping!
Africa is mourning!
One who was an embodiment of integrity is no more
Africa is mourning!
One who was Africa's pride and joy breathes no more
Africa is inconsolable!
One who was a compass of morality is late
Africa is weeping!
Oh Africa! Was Kofi your last born?
Is any of your favorite sons still alive?
Corruption is rampant
Integrity is not in any of our leaders vocabulary
Moral decay stinks up to the heavens
God and His angels must be closing their noses.
You join your fellow brothers
You join other favorite sons of Africa
You join Jomo Kenyatta
You join Patrice Lumumba
You join Julius Nyerere
You join Steve Biko
You join Nelson Mandela
One of Africa's tallest trees has fallen
Kofi Anan breathes no more.
Today's a great day to change a life. Starting with yours.
"One of the sayings in our country is Ubuntu - the essence of being human. Ubuntu speaks particularly about the fact that you can't exist as a human being in isolation. It speaks about our interconnectedness. You can't be human all by yourself, and when you have this quality - Ubuntu - you are known for your generosity. We think of ourselves far too frequently as just individuals, separated from one another, whereas you are connected and what you do affects the whole world. When you do well, it spreads out; it is for the whole of humanity."
What To Read Next?
Make Your Bed
Changing the world starts with making your bed. This book is meant to motivate your children and grandchildren to be all that they can be. It's superb, astute, and succinct.
No Future Without Forgiveness
"Ubuntu is very difficult to render into a Western language. It speaks of the very essence of being human. When we want to give high praise to someone we say, "Yu, u nobuntu"; "Hey, so-and-so has ubuntu." Then you are generous, you are hospitable, you are friendly and caring and compassionate. You share what you have. It is to say, "My humanity is caught up, is inextricably bound up, in yours." We belong in a bundle of life. We say, "A person is a person through other persons." It is not, "I think therefore I am." It says rather: "I am human because I belong. I participate, I share." A person with ubuntu is open and available to others, affirming of others, does not feel threatened that others are able and good, for he or she has a proper self-assurance that comes from knowing that he or she belongs in a greater whole and is diminished when others are humiliated or diminished, when others are tortured or oppressed, or treated as if they were less than who they are."
Maya Angelou: The Complete Poetry
Virago presents an updated collection of Maya Angelou's works of poetry, collected together for the first time. From her reflections on African American life and hardship in Just Give Me a Cool Drink of Water 'fore I Diiie to her revolutionary celebrations of womanhood in Phenomenal Woman and Still I Rise, and her elegant tributes to dignitaries Bill Clinton and Nelson Mandela (On the Pulse of Morning and His Day Is Done, respectively), every inspiring word of Maya Angelou's poetry is included in the pages of this volume.
Tears of Disinheritance: Revisiting the Maasai Historical and Contemporary Land Injustices in Kenya
Tears of Disinheritance offers a comprehensive analysis of the land-related issues faced by the Maasai people. Dr. Koissaba explores the history of the Maasai community, highlighting their cultural heritage, spiritual practices, and movements across the Rift Valley in Kenya and Tanzania.
Dear Self
With a focus on self-love, self-acceptance, growth, and healing, "Dear Self" is an effortlessly flowing compilation of kind reminders and affirmations. This collection takes you on an introspective and contemplative journey that leads you to discover all the layers of yourself that are just waiting to be loved.