Pradeep, a police officer based in Benoni, South Africa, grew weary of his monotonous routine. In search of thrill, he devised a bold scheme to rob a bank.
He booked an early flight from Johannesburg to Durban, rented a car upon landing, and made his way to a nearby bank. Before leaving his vehicle, he put on a wig and a fake beard. Once inside the bank, he pointed his gun at the teller, insisting she fill his bag with cash. After successfully obtaining the money, he quickly left and caught the next flight back to Johannesburg.
The robbery went off seamlessly, leaving Pradeep buzzing with excitement. This thrill ignited a series of plans for more bank robberies, one after another, until he was frequently flying to Durban on his days off to execute yet another daring theft. He even started hitting up local banks in Johannesburg during his lunch breaks. With his ingenious disguises, he could pull off the crime and then seamlessly return to the area, leaving witnesses completely unaware that he was the very person they were describing.
Pradeep had honed his skills in bank robbery to perfection; he was intimately familiar with the intricacies of bank security systems, allowing him to dodge capture time after time. Over the course of four thrilling years, he successfully executed heists at around 30 different banks, with each adventure delivering an adrenaline-fuelled thrill.
One fateful evening, the atmosphere shifted dramatically. At a vibrant party, he indulged a bit too much in the drinks and struck up a conversation with his buddy Larry. Fuelled by a surge of confidence, he started bragging to Larry about his latest bank heists, insisting he was a master in the art of robbery.
Larry worked for SAMBO, a branch of the South African Police Service focused on combating organised crime, economic offences, and corruption. Bound by his oath and the responsibilities of his role, he realised he could not stay silent about the secret and chose to bring it to the attention of his superiors.
Upon Pradeep's return from Durban, having just pulled off another bank heist, the police were poised and ready at the baggage claim. He was taken into custody and sentenced to 18 years in prison. However, Pradeep wasn't about to give up; he began devising his escape plan even as the judge delivered his verdict.
While he was incarcerated, he crossed paths with a man named Mpande, and shortly thereafter, he met another fellow inmate named Fanie. Both were serving sentences for robbery, and before long, the trio developed a solid friendship that would see them through their time behind bars.
After nearly three years of incarceration, the trio concocted a bold escape strategy. They initiated their plan by having Pradeep and Mpande feign injuries, successfully persuading the prison guards to escort them to an external physiotherapist for care. Upon arrival, they seized the moment, overpowering the guards and taking their firearms. Armed with the guards' weapons, they commandeered the physiotherapist's vehicle and made a thrilling escape. Following their flight, they opted to lay low for some time.
Several months went by, and they launched a daring assault on the prison where Fanie was held captive, guns blazing, and managed to break him out. Now that the trio was back together and on the run, they had to find a place to lay low.
Pradeep was filled with restlessness, craving the thrill of robbing banks once more. He, along with his two accomplices, set off on a daring escapade, starting with one bank and swiftly moving to the next, then a third. Their spree continued as they hit bank after bank, all while sporting ridiculous disguises: giant sunglasses, bushy moustaches, and fake beards. They may have looked comical, but their synergy was impressive, allowing them to complete a heist in under five minutes. On some occasions, they even managed to rob several banks in a single day without being apprehended.
As their exploits gained notoriety, news of the bank robbers spread like wildfire through the community. Surprisingly, many locals began to rally behind them, captivated by how they outsmarted the police. Pradeep, Mpande, and Fanie found themselves in the spotlight as unlikely heroes, affectionately dubbed "The Invisibles" by their growing legion of fans. The frenzy surrounding them was palpable, and their faces were splashed across every news platform, igniting discussions far and wide. They untimately became South Africa's most wanted.
Over a span of several months, the crime spree showed no signs of slowing down. The gang found shelter in various safe houses, seized every chance to rob banks, amassed a significant amount of cash, and filled their leisure time with a parade of escorts.
Pradeep had a disturbing tendency to target unsuspecting young women, posing as a professional photographer. He lured them to his hotel room with the allure of a photoshoot, only to take advantage of them in a shocking way. One brave victim mustered the strength to report his heinous behaviour to the authorities.
With the threat of being captured hanging over them, the three quickly formulated an ingenious escape strategy to leave the country. They decided to obtain a yacht, aiming to make their getaway by sea. They believed this maritime route offered a greater sense of safety.
Using a fraudulent passport, Pradeep headed to Australia to finalise the discussions surrounding the yacht sale. Meanwhile, back in South Africa, law enforcement was closing in on one of the gang's secret locations. It appeared that some of the gang's escorts had tipped off the authorities. At approximately 4:00 am, the police surrounded the location, with Mpande being the sole occupant of the hideout. Police ordered the gang to come out with their hands raised. In a surreal moment, Mpande, still dripping from his shower and entirely naked, reached for his weapon and found himself in a frantic butt-naked shootout with law enforcement. The police burst into the house, and gunfire erupted around him as he dashed from one room to another, firing back at his pursuers. When they finally cornered him, he made a tragic choice, turning the gun on himself and ending it all.
In the meantime, Fanie received a tip-off that the police were closing in on them. He quickly made his escape, using a counterfeit passport to catch a flight to Greece. By the time the police conducted their raid on the gang's safe houses, he had already vanished. However, in one of those locations, they discovered photographs of a woman whom Pradeep had assaulted several months earlier. This evidence not only corroborated her account of being exploited by him but also linked the safe house directly to Pradeep.
The safe house provided crucial information that directed the police to the yacht they had purchased. From there, they traced a crew member hired to navigate it, who revealed that Pradeep was meant to transport the yacht to Australia. This development led law enforcement to conclude that Pradeep might be in Australia. Local newspapers caught wind of the story and began featuring Pradeep's photo, causing residents in Melbourne to be on the lookout for him.
One fateful morning, everything began to unravel for Pradeep. He was browsing a used car dealership, eager to find a new car, worried that his old one might give him away. The salesman, having seen Pradeep's face in the local newspaper, kept quiet at first but later decided to alert the authorities.
That night, the police made their way to Pradeep's apartment, forcefully entering the premises. But to their dismay, Pradeep was nowhere to be found. But just when it seemed like they were at a dead end, one of the officers spotted him whizzing by on a bicycle. There was no doubt about it; he recognised him instantly. The police officer dashed over to confront him. Realising what was happening, Pradeep jumped off his bike and made a run for it.
The police officer pursued him relentlessly until he finally caught up. Pradeep, who had been feigning surrender, suddenly lunged for the officer's shotgun. In a split second, the officer reacted by drawing his secondary weapon and fired four shots into Pradeep's chest, resulting in his immediate death.
Fanie, the sole remaining member of the trio, ended up in Brazil, where he tried to pull off another heist. Unfortunately, his plan failed spectacularly, resulting in his arrest and a life sentence without the possibility of parole.
"Now that I knew fear, I also knew it was not permanent. As powerful as it was, its grip on me would loosen. It would pass."
We are the miracles that God made
To taste the bitter fruit of Time.
We are precious.
And one day our suffering
Will turn into the wonders of the earth.
There are things that burn me now
Which turn golden when I am happy.
Do you see the mystery of our pain?
That we bear poverty
And are able to sing and dream sweet things
And that we never curse the air when it is warm
Or the fruit when it tastes so good
Or the lights that bounce gently on the waters?
We bless things even in our pain.
We bless them in silence.
That is why our music is so sweet.
It makes the air remember.
There are secret miracles at work
That only Time will bring forth.
I too have heard the dead singing.
And they tell me that
This life is good
They tell me to live it gently
With fire, and always with hope.
There is wonder here
And there is surprise
In everything the unseen moves.
The ocean is full of songs.
The sky is not an enemy.
Destiny is our friend.
Al Venter regards himself as an African - a 'white' African, but as much a part of the fascinating and often troubled continent on which he was born as his Zulu and Swahili speaking contemporaries. There is no country in Africa that he has not visited. During his half-century career as a foreign correspondent, working for media outlets on four continents, he has given his version of unfolding events from many of them, including Britain's Jane's Information Group, the Daily Express and Daily Mail of London, United Press International, Geneva's Interavia, the BBC, SABC, and NBC (radio), as well as scores of magazines. His love for Africa stems, in part, from his childhood. At the age of 14, while on vacation in what was then still Northern Rhodesia, he hitch-hiked back to boarding school in Johannesburg in a race with his schoolmates, who travelled by train. And he won. Seven years later, after completing three years in the navy, he explored East Africa, ended up in Mombasa, Kenya, and cadged a lift on a freighter to Canada. Then, after qualifying professionally in London, he travelled overland through West Africa all the way to London. Along the way, he met many notables, including Ghana's Kwame Nkrumah and the man who hosted Graham Greene at his derelict hotel in Liberia, then all but an American colony, where the 'greenback' was the official currency, as well as the great Dr. Albert Schweitzer. The author spent a week at his jungle clinic at Lambarane in Gabon. Venter includes many of these adventures in this new book. He also delves into some of his military adventures and has invited several of his old colleagues to add some of their thoughts to this bundle of travel, adventure, and excitement to create a remarkable insight into a continent that, though briefly 'tamed' by Europe, was never really subjugated. In that anomaly too, there lies much stirring yarn.
Embark on an enchanting adventure with Tales from the African Continent, where ancient stories come to life before your eyes. Immerse yourself in a world where the boundaries between reality and myth blur, and where the echoes of the past resonate in every element of nature.
Kristin Uys, a strong-willed Roodepoort magistrate, lives alone with her cat and is determined to eliminate prostitution in the town for personal reasons. Despite her failure to convict the Visagie Brothers for running a brothel, she manages to charge Stevo with contempt of court and gives him a six-month sentence. Outraged, Stevo seeks revenge against Kristin with the help of his brother and Aunt Magda. Kristin receives threatening phone calls, her home is invaded, and even her cat is threatened. The chief magistrate assigns a bodyguard, Don Mateza, to protect her, much to her dismay. Don's girlfriend, Tumi, is not pleased with the new arrangement, and Don soon realises that his new assignment comes with unexpected complications.
The seven tales included in this anthology are all set in the vibrant early 1960s, when colonial control gave way to independence. In addition to the beautiful young Sierra Leonean who alarms her community with her drastic action, they also depict the complex lives of a diverse population, including a leper who survives another day of beggary, an expatriate couple facing a headless staircase and their own existential crises, a villager who has fallen on hard times and laments how he feeds his family, a British colonial officer and a traditional chief who fear a diminished status as they confront a dramatic change in their chiefdom, and so on.
Within a larger scope, the author explores South Africa's history starting from the mid-17th century, examining themes such as slavery, colonial rule, the mineral revolution, industrial capitalism, and apartheid.
"There is an enemy. There is an intelligent, active, malign force working against us. Step one is to recognise this. This recognition alone is enormously powerful. It saved my life, and it will save yours." -- Steven Pressfield
First published in Kenya in 2014: Kintu is a modern classic, a multilayered story that reimagines the history of Uganda through the cursed bloodline of the Kintu clan. Split across six chapters, the book starts in 1750 when Kintu Kidda leaves for the capital to swear loyalty to the newly appointed Buganda Kingdom ruler. He falls victim to a curse along the road that will follow his family for many years.
Makumbi interweaves the stories of Kintu's descendants as they attempt to overcome the weight of their common history and make peace with the legacy of tradition and the contemporary world that will shape their future in an ambitious story of a clan and a nation.
"Dikgang Moseneke pays homage to the many people and places that have helped to define and shape him. In tracing his ancestry, the influence on both his maternal and paternal sides is evident in the values they imbued in their children - the importance of family, the value of hard work and education, an uncompromising moral code, compassion for those less fortunate and unflinching refusal to accept an unjust political regime or acknowledge its oppressive laws. As a young activist in the Pan Africanist Congress, at the tender age of 15, Moseneke was arrested, detained and, in 1963, sentenced to 10 years on Robben Island for participating in anti-apartheid activities. Physical incarceration, harsh conditions and inhumane treatment could not imprison the political prisoners' minds, however, and for many the Island became a school not only in politics but an opportunity for dedicated study, formal and informal. It set the young Moseneke on a path towards a law degree that would provide the bedrock for a long and fruitful legal career and see him serve his country in the highest court. My Own Liberator charts Moseneke's rise as one of the country's top legal minds, who not only helped to draft the interim Constitution, but for 15 years acted as a guardian of that Constitution for all South Africans, helping to make it a living document for the country and its people"
How to Guide Your Team, Yourself, and Your Organization to Unprecedented Outcomes
Ayobami Adebayo, the Women's Prize shortlisted author of Stay With Me, presents an astonishing tale of contemporary Nigeria and two families entangled in the currents of affluence, authority, amorous fixation, and political malfeasance.
"If sharks were men," Mr. K. was asked by his landlady's little girl, "would they be nicer to the little fishes?"
"Certainly," he said. "If sharks were men, they would build enormous boxes in the ocean for the little fish, with all kinds of food inside, both vegetable and animal. They would take care that the boxes always had fresh water, and in general they would make all kinds of sanitary arrangements. If, for example, a little fish were to injure a fin, it would immediately be bandaged so that it would not die and be lost to the sharks before its time. So that the little fish would not become melancholy, there would be big water festivals from time to time because cheerful fish taste better than melancholy ones.
"There would, of course, also be schools in the big boxes. In these schools, the little fish would learn how to swim into the sharks' jaws. They would need to know geography, for example, so that they could find the big sharks, who lie idly around somewhere. The principal subject would, of course, be the moral education of the little fish. They would be taught that it would be the best and most beautiful thing in the world if a little fish sacrificed itself cheerfully and that they all had to believe the sharks, especially when the latter said they were providing for a beautiful future. The little fish would be taught that this future is assured only if they learnt obedience. The little fish had to beware of all base, materialist, egotistical, and Marxist inclinations, and if one of their number betrayed such inclinations, they had to report it to the sharks immediately.
"If sharks were men, they would, of course, also wage wars against one another in order to conquer other fish boxes and other little fish. The wars would be waged by their own little fish. They would teach their little fish that there was an enormous difference between themselves and the little fish belonging to the other sharks. Little fish, they would announce, are well known to be mute, but they are silent in quite different languages and hence find it impossible to understand one another. Each little fish that, in a war, killed a couple of other little fish, enemy ones, silent in their own language, would have a little order made of seaweed pinned to it and be awarded the title of hero.
"If sharks were men, there would, of course, also be art. There would be beautiful pictures in which the sharks' teeth would be portrayed in magnificent colours and their jaws as pure pleasure gardens, in which one could romp about splendidly. The theatres at the bottom of the sea would show heroic little fish swimming enthusiastically into the jaws of sharks, and the music would be so beautiful that to the accompaniment of its sounds, the orchestra leading the way, the little fish would stream dreamily into the sharks' jaws, lulled by the most agreeable thoughts.
"There would also be a religion if sharks were men. It would preach that little fish only really begin to live properly in the sharks' stomachs.
"Furthermore, if sharks were men, there would be an end to all little fish being equal, as is the case now. Some would be given important offices and be placed above the others. Those who were a little bigger would even be allowed to eat up the smaller ones. That would be altogether agreeable for the sharks, since they themselves would more often get bigger bites to eat. And the bigger little fish, occupying their posts, would ensure order among the little fish, become teachers, officers, engineers in box construction, etc.
"In short, if sharks were men, they would for the first time bring culture to the ocean."
Don't let your heart stay broken
Do not stay fixated on what could have been
Focus on all that was deep
Be thankful you smiled
Be thankful you cried
And be thankful you loved and were loved
Because no magician is strong enough to conjure the magic you've created
So don't let your heart stay broke
Don't focus on the darkness
Or things that did not last
Don't look back at your pas
When your future is that bright..
Pot of love,
Dot with life!
Spot of peace,
Hot like the sun;
Love Brewed In The African Pot!
My identity,
My continent,
My Country,
My land,
Love Brewed In The African Pot!
Mama Africa,
Africa! Africa!
My identity,
The Colour of my Skin,
The muse of life,
The muse of my mind,
Africa! Africa!
Cultures and Traditions,
My continent,
My Country,
My land,
My identity,
Love Brewed In The African Pot!
Mama Africa,
The continent of my birth,
With the muse of my mind to the world so sweet!
Poetry,
Way of life;
Presenting my works to the world,
From Africa!
Being an African,
Born and raised in Ghana,
My identity,
My life,
Love and art!
Love and life,
Peace and joy!
Mama Africa,
Africa! Africa!
Mama Africa,
Love Brewed In The African Pot!
With the fragrance of life and the romance of nature;
The beauty of creation,
The Harmony of life,
Mama Africa,
The Symphony of the truth!
With righteous morals;
Africa! Africa!
Mama Africa,
The colours of life,
With the aroma of creation;
Love Brewed In The African Pot!
Dance, dance!
With the muse of Africa;
Tap, tap!
With the rhythm of Africa;
Moving your body and,
Moving your steps;
To the sounds and cultures of the various tribes in Africa.
Dance, dance!
To the rhythm of Africa;
Tap, tap!
With the movements of the muse of Africa;
To a continent of nature's muse,
To a continent of multi-languages,
To a continent full of colours!
Fron North, South, East and West;
Come to Africa and see things for yourselves.
Rhythm of Africa,
Rhythm of various customs and cultures,
Rhythm of the various countries in Africa,
Rhythm of the animals,
With the beauty of nature as seen around.
Dance, dance!
Dance with the steps and shake your body;
To the rhythm of Africa touching your heart and soul.
Tap, tap!
With the movements of the muse of Africa;
Rhythm of Africa!
With the muse of various races in Africa;
Expressing their cultures and customs to the muse of the rhythm of Africa.
We are the miracles that God made
To taste the bitter fruit of Time.
We are precious.
And one day our suffering
Will turn into the wonders of the earth.
There are things that burn me now
Which turn golden when I am happy.
Do you see the mystery of our pain?
That we bear poverty
And are able to sing and dream sweet things
And that we never curse the air when it is warm
Or the fruit when it tastes so good
Or the lights that bounce gently on the waters?
We bless things even in our pain.
We bless them in silence.
That is why our music is so sweet.
It makes the air remember.
There are secret miracles at work
That only Time will bring forth.
I too have heard the dead singing.
And they tell me that
This life is good
They tell me to live it gently
With fire, and always with hope.
There is wonder here
And there is surprise
In everything the unseen moves.
The ocean is full of songs.
The sky is not an enemy.
Destiny is our friend.
I am sorry
I am sorry that I am seen as inferior
I am sorry that I walk around real loud and oh so proud.
I am sorry that I stand out,
I stand out because I am different
Uxolo bhuti for being myself
For standing up for myself,
For fighting for my rights
Uxolo bhuti for wearing a dress
For wearing something that you might define as revealing
I, as intombi find this dress appealing
Ke maswabi that your imagination ran wild and left you aroused
Your thoughts, your actions
Are you proud
Are you proud that you left my dignity dead and my spirit without a chance to rise
Tshwarelo mama afrika
Your children have no love for each other
Your children are dancing with knives just for clout
Ringing their neighbours necks just for selling bread at half price
Some of your children are crying without a voice
Some of your children are left with scars that are not seen, without choice
Asseblief ma
Ek weet jy is kwaad
I know it hurts to see the gifts that you gave us flow like the fluent Tanganyika and into the rich man's mouth
I know it hurts to see the spirit of Ubuntu replaced by the spirit of Izita
Asseblief ma, retshwarele
I know it hurts that you're beginning to rifts apart like modern day families disconnecting
You're ripping apart from small Djibouti, down to vibrant Maputo
We all see that
We live in a patriarchal society where we find ourselves apologizing for being female,
And where smashing makes you alpha male
We all smell
The gunpowder over all the Chlorofluorocarbon emissions
We all smell the iron in the blood of the victims
Mothers and Fathers
Sisters and Brothers
We miss their presence as we see them disappear
We miss the safety of our hometowns
We need not a teaser nor a knife to feel safe
All we cry for is change
Nothing more
Nothing less
Just change
What is Africa to me:
Copper sun or scarlet sea,
Jungle star or jungle track,
Strong bronzed men, or regal black
Women from whose loins I sprang
When the birds of Eden sang?
One three centuries removed
From the scenes his fathers loved,
Spicy grove, cinnamon tree,
What is Africa to me?
So I lie, who all day long
Want no sound except the song
Sung by wild barbaric birds
Goading massive jungle herds,
Juggernauts of flesh that pass
Trampling tall defiant grass
Where young forest lovers lie,
Plighting troth beneath the sky.
So I lie, who always hear,
Though I cram against my ear
Both my thumbs, and keep them there,
Great drums throbbing through the air.
So I lie, whose fount of pride,
Dear distress, and joy allied,
Is my somber flesh and skin,
With the dark blood dammed within
Like great pulsing tides of wine
That, I fear, must burst the fine
Channels of the chafing net
Where they surge and foam and fret.
Africa?A book one thumbs
Listlessly, till slumber comes.
Unremembered are her bats
Circling through the night, her cats
Crouching in the river reeds,
Stalking gentle flesh that feeds
By the river brink; no more
Does the bugle-throated roar
Cry that monarch claws have leapt
From the scabbards where they slept.
Silver snakes that once a year
Doff the lovely coats you wear,
Seek no covert in your fear
Lest a mortal eye should see;
What's your nakedness to me?
Here no leprous flowers rear
Fierce corollas in the air;
Here no bodies sleek and wet,
Dripping mingled rain and sweat,
Tread the savage measures of
Jungle boys and girls in love.
What is last year's snow to me,
Last year's anything? The tree
Budding yearly must forget
How its past arose or set
Bough and blossom, flower, fruit,
Even what shy bird with mute
Wonder at her travail there,
Meekly labored in its hair.
One three centuries removed
From the scenes his fathers loved,
Spicy grove, cinnamon tree,
What is Africa to me?
So I lie, who find no peace
Night or day, no slight release
From the unremittent beat
Made by cruel padded feet
Walking through my body's street.
Up and down they go, and back,
Treading out a jungle track.
So I lie, who never quite
Safely sleep from rain at night--
I can never rest at all
When the rain begins to fall;
Like a soul gone mad with pain
I must match its weird refrain;
Ever must I twist and squirm,
Writhing like a baited worm,
While its primal measures drip
Through my body, crying, "Strip!
Doff this new exuberance.
Come and dance the Lover's Dance!"
In an old remembered way
Rain works on me night and day.
Quaint, outlandish heathen gods
Black men fashion out of rods,
Clay, and brittle bits of stone,
In a likeness like their own,
My conversion came high-priced;
I belong to Jesus Christ,
Preacher of humility;
Heathen gods are naught to me.
Father, Son, and Holy Ghost,
So I make an idle boast;
Jesus of the twice-turned cheek,
Lamb of God, although I speak
With my mouth thus, in my heart
Do I play a double part.
Ever at Thy glowing altar
Must my heart grow sick and falter,
Wishing He I served were black,
Thinking then it would not lack
Precedent of pain to guide it,
Let who would or might deride it;
Surely then this flesh would know
Yours had borne a kindred woe.
Lord, I fashion dark gods, too,
Daring even to give You
Dark despairing features where,
Crowned with dark rebellious hair,
Patience wavers just so much as
Mortal grief compels, while touches
Quick and hot, of anger, rise
To smitten cheek and weary eyes.
Lord, forgive me if my need
Sometimes shapes a human creed.
All day long and all night through,
One thing only must I do:
Quench my pride and cool my blood,
Lest I perish in the flood.
Lest a hidden ember set
Timber that I thought was wet
Burning like the dryest flax,
Melting like the merest wax,
Lest the grave restore its dead.
Not yet has my heart or head
In the least way realized
They and I are civilized.
O fleece, that down the neck waves to the nape!
O curls! O perfume nonchalant and rare!
O ecstasy! To fill this alcove shape
With memories that in these tresses sleep,
I would shake them like penions in the air!
Languorous Asia, burning Africa,
And a far world, defunct almost, absent,
Within your aromatic forest stay!
As other souls on music drift away,
Mine, O my love! still floats upon your scent.
I shall go there where, full of sap, both tree
And man swoon in the heat of the southern climates;
Strong tresses be the swell that carries me!
I dream upon your sea of amber
Of dazzling sails, of oarsmen, masts, and flames:
A sun-drenched and reverberating port,
Where I imbibe colour and sound and scent;
Where vessels, gliding through the gold and moire,
Open their vast arms as they leave the shore
To clasp the pure and shimmering firmament.
I'll plunge my head, enamored of its pleasure,
In this black ocean where the other hides;
My subtle spirit then will know a measure
Of fertile idleness and fragrant leisure,
Lulled by the infinite rhythm of its tides!
Pavilion, of autumn-shadowed tresses spun,
You give me back the azure from afar;
And where the twisted locks are fringed with down
Lurk mingled odors I grow drunk upon
Of oil of coconut, of musk, and tar.
A long time! always! my hand in your hair
Will sow the stars of sapphire, pearl, ruby,
That you be never deaf to my desire,
My oasis and my gourd whence I aspire
To drink deep of the wine of memory.
No end of story has been told, several legends have been born; tiny runnels have wiped out into the Nile; massive water courses had gorged the Indian and the Atlantic.
Africa is the native land of all mankind species, our cherished fatherland is the continent of Africa; you are always welcome to Africa.
Jewels are found in the stain atop, pure beauty is found in our hearts; giving hope with full-blown vision.
For many people of the world, Africa is time and again seen through a spare monocle, purified curtain abodes of indigence, deprivation, illness, dearth, and blues.
Yes, we have our threat, it's true, but we are a people of physiques, resilience and faith; African elevation comes alive as a cloud nine.
Africa is a continent of countries, clans, of peoples; each with its olden days, its voice, its rainbows; its bounty of rituals, the diversity of its arts; and the charm of its civilization.
Africa is a nook of titanic conceivable of chow that is appetizing, fervent and sweet; Africa is not a spot of shadows, but a distance of light of a nightmare and opportunity; Africa is not a hole of pity, but a place of influence and self-respect.
We are the offshoot of a proud continent, Africa is where the sun steps up and bents with a scorching effulgence; making it a place where every day is a sunny season.
Don't cry for me Africa
Because I will never let you out of my mind
I hear your voices people of Africa
I hear your cries people of Africa
I see pain in your eyes people of Africa
It is hard to describe what you people of Africa are going through
Poverty strikes you all people of Africa
Don't cry for me Africa
Because I will keep you in my prayers people of Africa
Power to the people of Africa
People of Africa lift your spirit higher
Lord is the light and truth people of Africa
The Lord sends you a message from his heart to you people of Africa
He said because I love you
I will answer your prayers
I hear your prayers
Don't cry for me Africa
Because you have a friend that is the Lord
People of Africa continue doing the Lord's work
Make a wish people of Africa
The people of Africa are looking at the Lord face to face
Lord here is no paradise
We dream a little dream said the people of Africa to the Lord
The People of Africa Pray that the Lord will give each other strength every day
Don't cry for me Africa
Save the people of Africa
Strengthened the people of Africa each day
Because I'll be there in your dreams people of Africa
The people of Africa tells The Lord how much they love him
Don't cry for me Africa
Lord comes when you are ready people of Africa
Feelings you have for your Lord People of Africa
And I know you will never let it die
Nothing but flowers the people of Africa will plant in the sea shore for the Lord
Don't cry for me Africa
The people of Africa needs hope to heal there land
The Lord rose up on you people of Africa
Don't cry for me Africa
My heart will go on
Once I close this door of the ship I will sail across the Atlantic Sea
The sun sought thy dim bed and brought forth light,
The sciences were sucklings at thy breast;
When all the world was young in pregnant night
Thy slaves toiled at thy monumental best.
Thou ancient treasure-land, thou modern prize,
New peoples marvel at thy pyramids!
The years roll on, thy sphinx of riddle eyes
Watches the mad world with immobile lids.
The Hebrews humbled them at Pharaoh's name.
Cradle of Power! Yet all things were in vain!
Honor and Glory, Arrogance and Fame!
They went. The darkness swallowed thee again.
Thou art the harlot, now thy time is done,
Of all the mighty nations of the sun.
A year from now you may wish you had started today.
"One of the sayings in our country is Ubuntu - the essence of being human. Ubuntu speaks particularly about the fact that you can't exist as a human being in isolation. It speaks about our interconnectedness. You can't be human all by yourself, and when you have this quality - Ubuntu - you are known for your generosity. We think of ourselves far too frequently as just individuals, separated from one another, whereas you are connected and what you do affects the whole world. When you do well, it spreads out; it is for the whole of humanity."
What To Read Next?
Girls at war and other stories
An assortment of Chinua Achebe's short fiction, composed north of twenty years and drawn from scholarly diaries and magazines.
Tales of the African Wild
"This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface."
Wayfarers' Hymns
With its infusion of rhythm and melody, this novel will transport you from Lesotho's Mountain Kingdom to the City of Gold as it delves into the history of famo. Famo music first emerged in the drinking establishments of migrant mineworkers in Lesotho, where they would unwind after work by singing, often with the accompaniment of an accordion, a drum, and sometimes a bass.
Tears of Disinheritance: Revisiting the Maasai Historical and Contemporary Land Injustices in Kenya
Tears of Disinheritance offers a comprehensive analysis of the land-related issues faced by the Maasai people. Dr. Koissaba explores the history of the Maasai community, highlighting their cultural heritage, spiritual practices, and movements across the Rift Valley in Kenya and Tanzania.
Make Your Bed
Changing the world starts with making your bed. This book is meant to motivate your children and grandchildren to be all that they can be. It's superb, astute, and succinct.